By now, it's common knowledge among music geeks that Johnny Rotten, a gutter poet long before it was either cool or cliched, was a huge reggae fan.  While not as iconic as the still venomous Sex Pistol, weathered punk Tim Armstrong rasps his way into mid-life through this belated solo debut that displays an ardent love of classic Jamaican music.

 

Hellcat

Having found fame and respect without prostrating himself for the majors, Armstrong's credentialed catalog stretches collectively over two decades with the influential ska punks Operation Ivy, the consistently credible Rancid, and the unexpectedly plausible Transplants.  Released on his own Hellcat Records, a vanity imprint of enduring punk indie Epitaph, A Poet's Life takes its cues from ska and rocksteady legends such as Prince Buster and Toots and the Maytals.  Featuring labelmates The Aggrolites as his backing band, Armstrong abandons the studio sheen of his Transplants "supergroup" for these ten stripped down tracks.  An genuine passion for reggae music can be easily identified on such songs as the uptempo skankworthy single "Into Action" and the dubbed out instrumental "Cold Blooded."  Yet, diluted by Armstrong's distinctly grizzled voice and casual streetwise crassness, the album yields an Americanized, Californicated translation of the Caribbean spirit, evident on the cautionary yet reverential "Oh No".  Finding joy amid the hardship, a common lyrical device for reggae vocalists, this paean to Los Angeles couldn't have a more authentic voice if penned by anyone else.

Originally slated for gratis digital release (which allegedly is still planned), A Poet's Life was given a chance as a CD/DVD package for those who wanted physical copies.  If the 40-year old Armstrong, longtime contributor to indie music, and Hellcat stick to this admirable promise, it will mean a great deal to those of us who value a thriving independent scene that understands, respects, and caters to the listener as opposed to the shareholder.  


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