Mego
It would be easy to dismiss Tujiko Noriko as a token female artist on amale-dominated record label and scene. But while neither her latestMego outing nor her previous full-length, 'Shojo Toshi' is likely toblow minds, this former waitress is certainly not without talent. Herwhimsical, airy electronic compositions have a warmth andexpressiveness that is unlike her label mates. Noriko's Japanese vocalswaft over slow and steady beats on nearly all of the tracks. Some ofthe most effective tools in her arsenal this time around includescratchy record atmospherics, otherworldly piano sounds, and flutteringdigital sounds, all of which are sophisticated and meticulouslyarranged. The songs, however, simply tiptoe all over the place, withouta clear direction, without going far from their starting point. There'sa better sense of togetherness of the songs that wasn't clear before.
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