Although collaborators since the early 1980s, Raw Powder marks the first official release from this duo (excluding self-released CD-Rs) that encapsulates some 18-plus years of rock and roll into a sprawling, slap-dash collection of 24 tracks, intentionally raw and rough around the edges. While many may know Denham more for his/her connections to Throbbing Gristle, Psychic TV, Greater Than One, and other integral bands of the era, s/he proves here that his musical sensibilities are just as noteworthy as his paintings and artwork.
Even within the first few tracks that open this disc, the microcosm of rock and roll becomes immediately apparent: "Move Like A Tiger" is immediate and grippingly pure glam stomp, right down to the slide guitars segues into the folk rock of "Universe" and then into the rapid fire dance drum machine pulse of "Shine" that apes the likes of the Happy Mondays and others of the so called "Madchester" scene.
Other reference points are even a bit more specific, such as how "Spit Me Homage" and "Ship For You" pull off an excellent imitation of early Rolling Stones, from the rhythms to Denham's very Jagger-esque vocals. Perhaps the most odd is the hip-hop elements that come up in the beats to "Judas Fish" and even into the vocals somewhat on "Individual."
Some of the work eschews the rock sensibilities entirely for experimentation that is more consistent with Denham's early connections to the then burgeoning industrial scene, "Real World" and "Doncha Fear A Thing" are built on abstract rhythm loops and pure experimentation rather than conventional rock frameworks. The deep filtered vocals, processed rhythm loops and fuzzed out guitar of "Hang/Candy Bomb" seems to just exist on its own, not easily labeled into any specific genre.
As a whole, the disc is intentionally raw and rough: according to the liner notes it was recorded entirely to four-track cassette and largely improvised on the spot, which makes the music all the more compelling. In some cases the lo-fi nature brings parallel to other dissimilar artists: the somewhat lighthearted lyrics and rough guitar work of "My Hangover" could be something from The Pod era Ween, and that is a compliment.
The disc has an overarching sense of fun and whimsy that is so rarely represented in the more esoteric forms of music so many of us are fond of. Sure, across 24 tracks some feel more like filler and less notable than others, but taken as a whole, it is more good than "ehh." It is nice to hear something that can be both captivating in the musical sense, but also playful and lighthearted and seemingly created out of the sheer joy of making music that definitely feels "rock," but on Val & Oli's terms.
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