Lars Pedersen is the main man behind When and this is his 8th fulllength album since 1983, 2nd for Jester Records (not counting the 2disc retrospective "WriterCakebox"). 1999's "Psychedelic Wunderbaum"greatly impressed me with it's curiously fun collection of eccentricavante pop and just plain avante. "The Lobster Boys" has done the same.The back cover wallpaper of oldies children's, educational, jazz andclassical records presumably gives a good clue to the source of some ofthe sampled passages and sounds that Pedersen grafts to his own vocals,organ, guitar, bass, xylophone and drum playing. And many other soundsfind their way into the cut and paste mix, some thanks to a few otherplayers: piano, sitar, guitar, flamenco guitar, viola, melodica andindustrial rhythms. There is an indelible happy-go-lucky spirit andlate '60s pop vibe throughout When's songs. "Flower Jam", "SunshineSuperhead" and "Instant Flute" have an uncanny similarity to recentWeen while "The Greatest Sorrow on Earth" and "Puff Pipe" make the bestuse of mellow jazz loops. It's all fun and games up until "RuinYourself" takes a decidedly darker turn, repeating the increasinglycreepy mantra "all together now / all together now / all together nowmy friends / together we ruin ourself". There really should be a singlefor this one. I can't get it out of my head and I don't want to. Anunlisted 16+ minute track is the finale, eventually settling into ahypnotic distorted mass that cleverly concludes with a woman's voicesoftly approving "what a pretty tune, please play it again soon". "TheLobster Boys" is one of those albums you can play anytime, anywhere foranyone. It refuses to be pigeonholed and refuses to be boring. Justlike everything else from When and Jester.
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