There's a long list of albums with titles that are misnomers for the music inside. With Summer Sun,Yo La Tengo are pretty close to adding another to the list. Severaltracks interspersed save the album from this category by shining alittle light in, though the band generally gets mired in theirexquisitely somber sound, which is a very good thing. Album afteralbum, Yo La Tengo produce quality music with impressive productionvalues, and this album is no different. The proceedings start, as morethan one Yo La Tengo album has, with an instrumental of sorts, and"Beach Party Tonight" is a clear indication that the electronic side ispossessing the band more and more on each release. The whole albumfeatures more technology, and these additions lend a lot to the generalaura of the music without being intrusive. Ira Kaplan's vocals arefrequently hushed, as usual, and on "Beach Party," they're almostincomprehensible, bringing the music to the forefront. Georgia Hubleyis coming into her own vocally, sounding more and more like thechanteuse that's been hiding away. "Little Eyes" is a perfect power popproduction, much like the more mainstream fair of I Can Hear the Heart Beating as One.Elsewhere the tradition of one epic song per album continues, too, with"Let's Be Still" as this album's "Night Falls on Hoboken," and it's abit more coherent and a bit more freeform than before. One thing thatthe title suggests clearly, though, is that Yo La Tengo were out tohave a lot more fun this time, and it shows on tracks like "Georgia vs.Yo La Tengo," an almost '70s porn anthem laden with effects and funkpiano, and on "Winter A-Go-Go", which could almost pass for Steve andEydie. Even though there's more sun in the sky, there's always shadowscast, and that's what they thankfully couldn't avoid. Summer Sunis not their best work, but it is another solid album from a band notafraid to expand their sound, take chances or let loose every now andthen.Read More
