Strange that Z'EV, probably the most recognizeable name in theavant-garde solo-percussionist ranks, with a relatively extensivestring of records behind him, felt the need, in 2003, to release a 3"disc of live recordings from 1993. If nothing else, Live 1993is a lovingly recorded document, captured by friend, collaborator andbrilliant musician in his own right, Fast Forward, at the PerformingGarage New York City. The disc is two tracks, each featuring Z'EVbeating on a variety of objects, ranging from sheets of metal to whatsound like large industrial canisters. Both pieces are dominated byringing metallic hits, with the drummer's complex overlays creating anequally elaborate lattice of quivering drones, the negative spacesurrounding each action nicely accented and enlivened. Z'EV's skills asa polyrhythmist and a composer are apparent here, as on all hisreleases; each track is a concise and expertly controlled example ofhis unique tribal-industrial sound. For a solo performance, thefocused, hypnotic effect achieved is very impressive; however, I see noreason why this music couldn't have been left in the heads of those inattendance. In the context of Z'EV's output thus far, this disc isbeyond inessential; as a 3" disc, it is not long enough to successfullyapproximate the live experience, something that, for an artist likethis, is nearly impossible anyway. New listeners could do better withone of Z'EV's many studio full-lengths, chances to see him workingnon-percussive instruments into his always-interesting sonic palette.Read More
