In Peru, Gonzalo Benavente Secco‚Äôs controversial documentary La revoluci√≥n y la tierra, has drawn huge cinema audiences, perhaps because its subject, the 1969 Land Reform Act, still bitterly divides opinion more than fifty years later. So much so that TV Peru bowed to pressure and refused to broadcast the film, which skillfully folds scenes from old Pervuian films into the mix, in the run up to the elections of 2021. Santiago Pilado-Matheu‚Äôs deceptively simple soundtrack uses ambient electronics, loops, dubby Afro-Latin rhythms, Andean drone and melody, film dialogue, and speech excerpts by peasant leaders, to create a comforting yet sinister landscape of memory.
My off-the-cuff knowledge of Peru consists of four facts. Michael Bond‚Äôs fictional bear Paddington came from "darkest Peru" and legendary broadcaster John Peel died on holiday there. It was the location for Werner Herzog's Aguirre: The Wrath of God, filmed on the stone steps of Huayna Picchu, on tributaries of the Amazon river, and in the Peruvian rainforest. Herzog claims to have written the screenplay in less than three days, mostly on a long bus trip with his soccer team - one of whom vomited on several pages which Herzog had to discard. Lastly I recall Peru‚Äôs Teofilo Cubillas, in hs nation's fabulous white kit with diagonal red slash, smashing in a wicked free kick with the outside of his right foot, the first of his two goals that vomited on Scotland‚Äôs hubris at the 1978 World Cup.