Hampson released the exceptional Répercussions earlier this year, his first full length since 2008's Vectors. Now he has followed that up with two more albums, released simultaneously but presented separately. Even though he has become suddenly prolific, both albums are of the utmost quality, and have a distinctly different approach to sound between them.  And yes, fans of Loop and Main, there are guitars.
As the ambitious (and essential) reissue program by Die Stadt approaches conclusion, Tietchens' final release for Esplendor Geometrico's label, and last release of the 1980s, gets the expanded treatment. Heavily steeped in rhythmic loops and metallic reverb, it clearly shows the mark of his industrial period, but also of the abstract direction to come.
This EP is a taste of what to expect on their new album devoted to the theme of telepathy and psychic phenomena. I do not know whether Matmos actually buys the parapsychological theories that inspire the music but, like any of their conceptual experiments, they use the source material to think about their music in new ways. Some of it sounds undeniably like Matmos, but, as usual, they push themselves into novel situations with a long, complex vocal work which lines up with the peculiar subject matter perfectly.
As far as Natural Snow Buildings-related albums go, this sprawling reissue ranks as a pretty monumental and eagerly anticipated event.  Originally released in a crazily limited edition of only 22, this 2008 triple-album is one of the band's most ambitious, yet rarely heard, statements.  Given Mehdi and Solange's tireless evolution over the years, Night Coercion understandably lacks the sophistication and song-craft of their current work, but mostly compensates for those shortcomings with a potent mixture of primal power and sheer massiveness.
Ged Gengras has been a somewhat ubiquitous and integral figure in the LA music scene for the last several years, contributing his varied talents to artists as disparate as LA Vampires, Pocahaunted, and Sun Araw.  However, I did not know that he had a solo "modular techno" project and had I known, I probably would not have been terribly inclined to seek it out.  Consequently, I was completely blindsided by the massive and wonderful 20-minute opening song on this, his debut full-length.  The other two songs do not quite reach the same heights, but it does not matter much, as "Spontaneous Generation" is almost enough of a must-hear instant classic to carry the whole album.
Keith Rowe and Christian Wolff have been playing together since 1968, when Wolff first performed with AMM in the UK. Their history together goes back further, a part of the turbulent musical and political eddies set in motion by the New York School and Cornelius Cardew in the late 1950s and early ‘60s. But this performance, recorded live at NYC’s The Stone as part of Jon Abbey’s AMPLIFY 2011 festival, marks their first recorded appearance as a duo. It’s an inspired pairing. Together they produce quiet, sharp, and surprisingly gorgeous music that exemplifies the still radical ideas they started exploring over 40 years ago.
P16.D4 might not be an overly obscure name for those knowledgeable of the nascent industrial/experimental/noise scene of the early 1980s, but P16.D4 has not been as venerated as many contemporaries either. Monotype has jumped upon the opportunity to give this project the lavish retrospective release it deserves, and Passagen is just that: a deluxe six disc compilation of the band's output, with bonus tracks, and an additional DVD of mostly unseen videos and performance recordings.
With this split vinyl EP marking the final release of the late Hydra Head label, it almost seems fitting that it is the work of two artists who have embraced their own independence throughout their prolific careers. It also stands as a monument to change and evolution, with Justin Broadrick's re-embracing of his harsher past put alongside Dominick Fernow's recent surprising turn towards melody and ambience.
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- Danelectro 1 (Q-Feel mix)
- Danelectro 2 (Nobukazu Takemura mix)
- Danelectro 3 (Kit Clayton mix)
It's tough to try to talk about a release from the High Llamas without mentioning Stereolab, but when you've got Sean O'Hagen leading a chorus of girls singing pretty "la la"s combined with airborne melodies, loads of chimes and vintage organs, comparisons are as unavoidable as the moose standing in the middle of the highway as you barrel towards it at 65 miles per hour. I quite like this disc however.
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With a fondness of vintage analogue keyboards and rockin tunes is this defunct (?) Detroit duo. Herein lies 23 tracks recorded between 1996 and 1998, pulled from various out of print 12" and EP releases. Le Car's automobile has been retrofitted with analogue keyboards, but it drives quite smoothly and is exciting to show off.
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