 |
|
Arco Flute Foundation, "Everything After the Bomb is Sci-Fi"
Cenotaph
Some bands like a little variety on their releases. They don't mind if one song on the album sounds like a different band than the one before or after it. They don't even mind if every song sounds like a different band. Other bands use different albums or EPs to try out different concepts. In the case of Arco Flute Foundation, the members started another band entirely to put out this music. Arco Flute Foundation is the same principals who are in Meisha, but recording as such because the music is that much removed from their former selves. Meisha are languid, slight, and melodic with a subdued energy, recording instrumentals that are lush and captivating. Arco Flute Foundation, on the other hand, is more interested in loud, boisterous, loose instrumental rock. 'Everything After' is their third release on Cenotaph, and it is their most adventurous yet. More electronics, more Slint-like guitar antics, more distortion, and more ambient noise appear on these songs than have in the past. These passages are still unfocused and raw, however, with the band members seemingly exploring the space around them with these compositions. There are two tracks under the four-minute mark that seem to be the more structured songs (more accessible?), but beyond that the Foundation just let it bleed, adding and subtracting elements as the song progresses, trying to find their happy hunting ground. Honestly, it has some very interesting elements, but the two shorter songs are the best tracks solely because of their structure. The album's closer, "Seymour Uncle Billy," approaches what seems like the true sound of the band, a balance between the structure and improvisation, between the noise and the music. Now that they seem to have all of the instruments and sounds they want to explore, that should be the next area to perfect. Which means the next Arco Flute Foundation release could be a fine one, indeed.
Some bands like a little variety on their releases. They don't mind if one song on the album sounds like a different band than the one before or after it. They don't even mind if every song sounds like a different band. Other bands use different albums or EPs to try out different concepts. In the case of Arco Flute Foundation, the members started another band entirely to put out this music. Arco Flute Foundation is the same principals who are in Meisha, but recording as such because the music is that much removed from their former selves. Meisha are languid, slight, and melodic with a subdued energy, recording instrumentals that are lush and captivating. Arco Flute Foundation, on the other hand, is more interested in loud, boisterous, loose instrumental rock. 'Everything After' is their third release on Cenotaph, and it is their most adventurous yet. More electronics, more Slint-like guitar antics, more distortion, and more ambient noise appear on these songs than have in the past. These passages are still unfocused and raw, however, with the band members seemingly exploring the space around them with these compositions. There are two tracks under the four-minute mark that seem to be the more structured songs (more accessible?), but beyond that the Foundation just let it bleed, adding and subtracting elements as the song progresses, trying to find their happy hunting ground. Honestly, it has some very interesting elements, but the two shorter songs are the best tracks solely because of their structure. The album's closer, "Seymour Uncle Billy," approaches what seems like the true sound of the band, a balance between the structure and improvisation, between the noise and the music. Now that they seem to have all of the instruments and sounds they want to explore, that should be the next area to perfect. Which means the next Arco Flute Foundation release could be a fine one, indeed.
samples:
