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Asmus Tietchens / David Lee Myers, "Flussdichte"
Disco-Bruit
Here is a beautiful work by two artists who have different approaches to working with sound, but collaborate well. David Myers works with feedback-based sounds through various devices he has built, including a "feedback machine" I've seen him wear during live performances. (Suspended in front of his belly from a strap around his neck, he looked much like a cigarette girl from the 1930s.) Asmus Tietchens is not known to perform live, unless he's simply playing a recording of something composed in the studio. It seems his style is to take a sonic idea or source material, and go into the studio and work it for the length of an album (or double album). So you can pick up most any Tietchens CD or record, and hear a similarity between the pieces as he explores the many possibilities of his initial concept.
'Flussdichte' is the third Tietchens / Myers collaboration. In this case, Myers sent Tietchens some material, and Tietchens went in the studio and built the pieces from this material. The result definitely has Tietchens' stamp on it — you could play it for any Tietchens fan and we'd guess it was his. (That's especially apparent to me when I hear sound that makes me think I'm in a submarine. No, I haven't been in one, but you may know this sound from movies, where the submarine is deep below the surface, and has its own ambient sounds coming from outside.) There are also some lovely melodic bits on the CD, including cut 6 ("T31:M5/10"), which sounds like amusement-park organ music, possibly emanating from an ancient merry-go-round. I won't try to describe any more — you will enjoy your own sound pictures when your allow you mind to drift with this CD playing.
Highly recommended.
Here is a beautiful work by two artists who have different approaches to working with sound, but collaborate well. David Myers works with feedback-based sounds through various devices he has built, including a "feedback machine" I've seen him wear during live performances. (Suspended in front of his belly from a strap around his neck, he looked much like a cigarette girl from the 1930s.) Asmus Tietchens is not known to perform live, unless he's simply playing a recording of something composed in the studio. It seems his style is to take a sonic idea or source material, and go into the studio and work it for the length of an album (or double album). So you can pick up most any Tietchens CD or record, and hear a similarity between the pieces as he explores the many possibilities of his initial concept.'Flussdichte' is the third Tietchens / Myers collaboration. In this case, Myers sent Tietchens some material, and Tietchens went in the studio and built the pieces from this material. The result definitely has Tietchens' stamp on it — you could play it for any Tietchens fan and we'd guess it was his. (That's especially apparent to me when I hear sound that makes me think I'm in a submarine. No, I haven't been in one, but you may know this sound from movies, where the submarine is deep below the surface, and has its own ambient sounds coming from outside.) There are also some lovely melodic bits on the CD, including cut 6 ("T31:M5/10"), which sounds like amusement-park organ music, possibly emanating from an ancient merry-go-round. I won't try to describe any more — you will enjoy your own sound pictures when your allow you mind to drift with this CD playing.
Highly recommended.
