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So we tried a new way of doing things for the 7th year in a row! Actually, we think this is probably closest to accurate so far. Every entry got scored according to how readers voted. The score went up higher the more positive the reaction was and went down the more negative. Winners in the Band of the Year, Label of the Year, and Best New Artist categories were awarded due to cumulative scores and not voted for directly. Additionally, the Lifetime Achievement recognition was chosen exclusively by the Brain Staff.
Unfortunately, as is with all readers polls, everything eventually turns into a popularity contest. Rather than scrap it all in frustration, we keep the polls going from year to year. It presents a snapshot to look back and reflect upon to see what people were listening to and paying attention to at this time. It is by no means a measure of talent or greatness, nor is it even an accurate account of taste or opinion, as people will have a tendency to vote favorably/against an artist they like/dislike regardless if they've heard the record or not. Comments are included from the staff in each category. Thanks to everybody who honestly participated.
album of the year
Comments
Pan Sonic's Kesto is an ambitious piece of work that deconstructs everything about Pan Sonic into four distinct discs so that you don't have to! - Matthew Jeanes
Absolutely amazing rock albums like Ghost's Hypnotic Underworld and Comets on Fire's Blue Cathedral languish at number 25 and 26 while I can't shake the feeling that it's become a bit of knee-jerk reaction to list albums by veterans like Sonic Youth, Neubauten, Tom Waits, Nick Cave and Bjork in these year-end lists, whether or not people really think their recent albums were really up to par. - Jonathan Dean
ANS cost like $80. People didn't buy it. Hell, I'd venture to say that people who bought it didn't even listen to it! - Gary Suarez
Everybody thinks Sufjan Stevens' next album is going to be another state, but I wouldn't be surprised if Six Geese were to follow Seven Swans. - Jon Whitney
It's strange that the Boredoms masterpiece Seadrum/House of Sun is at #47, while Sonic Youth is at #3. I see Boredoms as a forward-thinking, constantly evolving, futuristic unit. I am baffled year after year as Sonic Youth consistently places in the top five (or better) of certain adventurous magazines year end lists. Without denying them credit for their past achievements, and while recognizing that their current work does have merit, it hardly seems to me that, with all of the exciting music being created, Sonic Youth post-1990 is making the best albums of the year, every year. - Jim Siegel
I knew it; names have a strange way of carrying so-so music to undeserved streams of acclaim. The Fennesz record is a prime example of this. !!!, Devendra Banhart, and Pan American all released amazing records this year, but I suppose the names aren't quite large enough at this time to appeal to people still aching for something "different" and "experimental." - Lucas Schleicher
Madvilliany is one of the best hip hop releases in recent history. MF Doom and Madlib had never collaborated before, and I don't even know if they had met prior to writing and recording the album. That's f'n amazing. MF Doom's bizarre lyrical couplets and slick obscure references almost steal the show had it not been for the (here it is) finest instrumentals ever done courtesy of Madlib. Hip hop finally becomes high art? Yes, I would contend I felt (as my art teacher used to say) "the evocation of the sublime." Record of the year. Danger Mouse deserves at least a nod or maybe a high five for the Grey Album. I can't stand Jay-Z, so to not only find his played raps tolerable but enjoyable speaks volumes for the music Danger Mouse was able to come up with. And he did it with the unlikeliest of source materials - a frickin BEATLES album??! He basically set himself up for utter failure and came through like the Red Sox. Hands down the coolest contraband of the year too (next to Canadian Viagra, of course). - Chris Roberts
single/ep of the year
Comments
What a relief it was to see TG Now make it into the Top 25 in this category! Throbbing Gristle's reunion was truly impressive, as was their restraint with disseminating this new material. Though some people might have groaned over the exclusivity of this EP, these intimate recordings demanded an audience that would not simply listen passively. These dissonant four songs, much like their early work, were not meant for mass consumption by trend whores (*cough* Coil fans *cough*) and one-upping music geeks. Anyone who has spent some time with this release has been exposed to a rare experience, with four legends returning to the studio and coming together after spending years apart making very different music. TG Now is a return to form as well as a dramatic update, essentially raising the proverbial bar to a point where many musicians would do best to avoid this release rather than attempt to top it. - Gary Suarez
It's hard to believe everybody who voted for this winner actually own a 7" only release. It's also hard to believe it beat out the mindblowing TG Now, 27's jaw-dropping Let the Light In, and a Four Tet single that comes with his entire collection of music videos on an accompanying DVD! Additionally, none of Battles's three fantastic EPs cracked the top 25 but mind you, they will surely be on everybodys lists this time next year once you-know-who has released their album and made them even more buzzworthy. Then you'll be recalling me saying this just like I said about Sigur Ros, Dresden Dolls, and !!!, but did you listen then? No. - Jon Whitney
Can Dirty Water get an honorable mention? - Chris Roberts
best various artist compilation
Comments
Kranky set a standard this year that all other record labels are going to have to try and measure up to. The compilation itself was gorgeous, cheap, and full of some of the best music to grace any recorded format. I won't argue against Mute or any other label on the lists, but this year belonged to Kranky in my mind. - Luke Schleicher
Maybe not the most impressive musically, but as for unexpected and historically important you couldn't go wrong with Stones Throw's The Third Unheard. Who knew that an urban musical genre that dominates popular music today had roots in suburban 1979 Connecticut? I didn't. - Chris Roberts
It's nice to see a kompilation of current music beating out some (stellar) compilations of archive material and newly re-discovered oddities. It brings hope for the new year that a label such as Kranky is still releasing challenging contemporary music. The Charalambides reissue program, the addition of Greg Davis to the roster, consistently rewarding releases by Keith Fullerton Whitman and the wonderfully difficult music of Brent Gutzeit all show that Kranky has moved bravely forward into the new millenium. It gives me a renewed sense of faith in listeners to see that these developments have been recognized and rewarded. - Jim Siegel
Kwite a koincidence that the number one and two spots on the kompilation kountdown were both taken by kute misspellings of kommon words. Daft kunts. - Jonathan Dean
reissue/vault/collection album of the year
Comments
Tago Mago is a fantastic record. Perhaps in my top 20 favorite records of all time, but once again, I wonder if this many people have actually heard the reissue and can honestly compare the SA CD to the original version. Big time efforts like the Virgin Prunes reissue campaign didn't even crack the top 25 and Low put out an astounding 3xCD/1xDVD (double sided even) set and that doesn't crack the top 15. The Deathprod box and the Squirrel Bait box are criminally underrepresented. Maybe it's time to re-expand this category for boxed/multiple sets. - Jon Whitney
When are we going to get a remastered Tonight's the Night? Instead Neil Young gives us a half-baked, unnecessary Greatest Hits release? Please. The world is in dire need of a Tonight's the Night Sessions boxed set. A mere repackaged CD wouldn't do the album justice. Next summer, maybe? Maybe I'm getting swept up in all the media hype, but Nirvana's With the Lights Out has all the trappings of an essential compilation, if a wee bit sprawling. Especially for those who couldn't find/afford all the Outcesticide releases... even if it did help fund the constant trainwreck that is CL. - Chris Roberts
I'm happy to see that Slowdive still has a place in people's hearts. Unlike so much other "shoegazer" music from the early 1990s, Slowdive's three albums still sound wonderful to me today. Their final LP, Pygmalion, is a massively underappreciated avant-whatever classic. It presents the work of a group obviously unconcerned with remaining true to genre rules. It's too bad they didn't explore this direction further. Hopefully the interest that this compilation stirs up will encourage someone to reissue the long out-of-print Pygmalion. - Jim Siegel
It would have been nice to posthumously honor Arthur Russell—a guy who spent most of his short life toiling away in obscurity, quietly influencing a generation of artists. I find it disheartening he wasn't able to crack the top 25, in a year that three superlative reissues of his uniquely ingenious music were released. - Jonathan Dean
label of the year
Comments
It was a very ambitious year for Mute with tons of amazing reissues and some good new albums too. Now where's that Nitzer Ebb collection you've been promising? - Jon Whitney
For the most part, Mute had an impressive year, especially on the reissue front with double disc sets from Richard Kirk / Sandoz and Suicide. With the label's continued commitment to quality acts like Diamanda Galas, Einsturzende Neubauten, and Pan Sonic, we can forgive its misguided attempts with the far-less talented Client, Miss Kittin, and M83. - Gary Suarez
Call me a one trick pony, but you can't deny Stones Throw's contributions this year. Best hip hop release in recent memory (Madvillian), Gary Wilson's first new record since the 1970s, a vitally important compilation (the Connecticut hip hop V/A) on top of their other releases AND the funk/soul rereleases on Now Again, the label's rereleasing machine aka subsidiary. Not to mention the DVD that they put out in the Fall. It made me say "holla." - Chris Roberts
Excuse me, Touch and Warp in the top 10 of the year? Touch records has become the ultimate namecheck label for boring beard strokers, and I seriously doubt anyone actually listens to 99% of their output before shelving it next to the other releases on their CD rack. And I shouldn't have to say anything about the embarassing Warp roster. This was truly their worst year in a run of bad years for the label. - Jonathan Dean
artist of the year
Comments
Two full-length releases, a couple singles, endless touring, and an army of completely freakish insane fans who could rival the creepiness of Bjork or Godspeed nutters. It's a well-earned recognition for Devendra, a talented individual and a great guy. - Jon Whitney
best new artist
Joanna Newsom
Comments
One of Newsom's main strengths may be that she polarizes opinion. She is either loved or hated. She produces a strong reaction in listeners, for better or for worse. From seeing her perform live I gathered that she is a genuine artist, translating the world as she sees it into sound. While many "outsider" artists seem to operate by a set of unwritten conduct laws for weirdos, Newsom seems to be simply blessed with a unique voice and talent to boot. - Jim Siegel
2004 wasn't a huge year for new bands/artists. Looking at the list of newbies, many of them have histories in other groups. Battles had three stellar EPs; Autistic Daughters and Trapist were birthed from the incestuous blood that spawned Dean Roberts and Radian; The Dead Texan's debut was pleasing for fans of Badalamenti and Stars of the Lid; and Arcade Fire are just a glorified recycling of Pulp's music with the tone deaf (but oh so hip) vocal style a'la Interpol. Rachel Goswell of Slowdive/Mojave 3 finally released her long anticipated debut and Fridge's Adem stepped up to the microphone, churned out an impressive debut album, few singles, assembled a tight group, and toured like a madman. - Jon Whitney
lifetime achievement
John Peel
The year of 2004 was full of a number of significant losses. From the passing of friends like John Balance, the passing of a distributor and financier of a number of our favorite groups, and ending with the most catastrophic loss in modern history. This year's Lifetime Achievement recognition was debated with the Brain Staff and in the end, it wasn't given to a musician at all, but to somebody who has truly had a full lifetime of achievement.
Comments
I used to go to record shops when I was young and naive and wonder why so many artists had CDs called "The Peel Sessions." Years later I grew to know the influence the man who was responsible for these recordings had on not just those artists, but music in general. He was a legend, and another reminder that there have been losses. - Rob Devlin
The first time I stumbled upon the name John Peel was during my adolescence in a random gift shop. There were two cassettes with greyish silver packaging, each featuring a different New Order session, 1981 and 1982 respectively. The eight memorable songs on these tapes opened me up to that formative period in the life of a band struggling with the suicide of their former singer and friend. Much like Pink Floyd's work post-Syd Barrett, this reverent music evoked the essence of their former collaborator while inching towards a unique new direction. Though not every Peel Session was as remarkable as these, it's hard to argue against John Peel's significance in modern music. - Gary Suarez
Since I live on the other side of the Atlantic, I can't say that I was a regular Peel listener. Aside from a couple of tapes sent to me by pen-pals back in the 80s and listening to the online feed a few times in recent years, I never heard much of his program. But ever since I bought my first Peel Sessions record (Gary Numan & Tubeway Army, I think it was), I've recognized his influence on the music that I loved. I can only hope that I have even a fraction of the passion he had for music when I reach 65. - Greg Clow
I can't even name one American radio DJ. Does Rick Dees count? These days, DJs are recruited from the stand up comedy circuit and from pools of failed actors, jugglers, magicians, and faceless entertainers. Music is programmed by corporations being bought by the labels or by enthusiastic but under-prepared college students who are the target of just as much payola. But from the time I was 14, I knew the name John Peel and knew that those silver and black cassettes meant new music, weird music, damaged music, and dangerous music. Nearly everything I got into in my formative years can be traced back to a Peel Session. Peel set an uncompromising standard for major market radio programming that will surely—sadly, never be duplicated. - Matthew Jeanes
Theres a serious problem with radio in the entire "free" world, and it's effecting the music industry globally. There are plenty of people all over the world including much of our readers, all of our staff, and most of the people at other publications who keep in touch with new music who would make fantastic DJs. However, DJs don't get to choose music any more - the job of choosing music is up to "programmers" who listen to what industry people say much more than they listen to music itself. John Peel could easily have been the last true DJ for a major radio station. Bringing in guests to perform special sets, always shopping the record stores, never easily satisfied with the drivel that most labels release in excess. Take this as a note to all the replacable so-and-sos in the big major markets who bow to the major machine: you will never be a fraction of a percent as important as John Peel was. - Jon Whitney
"
Album of the Year
STAFF PICK: Manitoba, 'Up in Flames'
[comment: Jon, I'll give you one crisp dollar to make Whitehouse #1 - Gary Suarez
Cat Power: Fourth best album, and number one worst concert experience of my life. - Jonathan Dean]
single of the year
STAFF PICK: Sigur Ros, 'Untitled #1'
[comment: I find it pretty damn funny that a limited edition Coil 10"" of which only 500 were made available to the public would make it into the top 3 in this category. How can this be? Either (A) everyone who bought this voted for it, (B) lots of people downloaded it off SoulSeek, or (C) we've got a lot of bullshitters here. - Gary Suarez]
compilation (single artist)
STAFF PICK: Cabaret Voltaire, 'The Original Sound of Sheffield '77 '82'
[comment: Skinny Puppy need to quit releasing overpriced archival jam sessions and record a new album. Put up or shut up. - Matthew Jeanes]
compilation (various artists)
STAFF PICK: Lost in Translation soundtrack
[comment: Lost in Translation was only remarkable as the return of Kevin Shields, and that's more than enough. - Rob Devlin
Considering the film was little more than an opportunity to put Tokyo skycam shots in front of shoegaze, I guess this makes sense. - Andrew Culler]
boxed set
STAFF PICK: Nurse With Wound, 'Soliloquy for Lilith'
[comment: At +$200 something tells me a ton of people voted for this who didn't actually have it. - Jon Whitney]
record cover
STAFF PICK: Venetian Snares - Find Candace
[comment: Trevor Brown's mysogynistic, quasi-kiddie porn cover art seems to be a perennial favorite, and Xiu Xiu's seedy, disturbing low-rent porno photo cover exhibiting a naked Thai youth is not far behind. Thighpaulsandra's ""Double Vulgar"", which contained images of male nudity and necrophilia fantasy, also made the list. It seems that the Brain readership includes its fair share of twisted perverts. - Jonathan Dean]
remix/reissue
STAFF PICK: 23 Skidoo - The Culling is Coming
[comment: Yes, but have you actually heard 'Out of Reach'? - Jon Whitney]
biggest disappointment
STAFF PICK: Liz Phair, 'Liz Phair'
[comment: Hot Hey, Liz's kid's gotta eat. If you didn't catch yourself in the shower mumbling along with that corporate, focus-group manicured chorus then I call you a dirty liar. Take 'em for all their worth, Liz, and consider it back pay for Exile. - Michael Patrick Brady]
fave new act of the year
STAFF PICK: The Dresden Dolls
[comment: The Dresden Dolls' are an achievement in concept and vision, well crafted and designed to impress with their heavy presence both live and on stage. TV on the Radio's brilliant mash up of gritty art squalls and soaring, soul-spiked vocals were immediate and stunning. Of course, I have a soft spot for Exploding Hearts who were just having so much damn fun and left us with a crisp revival of powerful pop. Soft Pink Truth... I mean, I could go on and on but I'll end by saying that the bite sample in 'Promofunk' had me grinning for days. - Michael Patrick Brady]
fave live band/event
STAFF PICK: Out Hud/!!!
[comment: Amazing that Coil won this category, even though the (debatably) complete lineup only performed ONCE the entire year. I can't imagine that the scaled-back Sleazy and Thighpaulsandra line-up was better than Wire, Black Dice or Out Hud/!!!. - Jonathan Dean]
most overrated
STAFF PICK: 50 Cent
[comment: Best New Band -and- Most Overrated. Looks like 2004 will be a big year for Dresden Dolls. Check your TRL listings. - Jon Whitney]
producer/engineer
STAFF PICK: DFA (The Juan MacLean, Black Dice, LCD Soundsystem, The Rapture, Radio 4)
[comment: If the Britney/DFA collab wasn't left off 'In the Zone,' they would have edged Albini. - Michael Patrick Brady]
record label
STAFF PICK: Tigerbeat6
[comment: Kranky? I love Kranky, and I'm not going to go as far as insulting the general readership's intelligence, but I don't think people are paying attention. Note that not one Kranky release placed in the top 30 this year! People who claim to like them would probably enjoy the couple releases put out recently. Do people actually read these reviews? - Jon Whitney
Warp at #2? OK, now I know that NONE of you are paying attention to my reviews. Sheesh. Go back to your record collections and pull out the oldest Warp release you own and tell me honestly that anything that came from that label in 2003 came close to that excellence. Go on. I double fucking dog dare you. - Gary Suarez
Other than the !!! 12"", Warp had one of their weakest years yet. Req? Chris Clark? Plaid remixes? Does that spell ""best"" to you? - Jonathan Dean
It's settled then, people won't be able to vote for this category next year and the winner will be awarded by scoring points in the poll with their actual releases. - Jon Whitney]
music video (short)
STAFF PICK: Sigur Ros, 'Untitled #1'
[comment: As much as I loved the Sigur Ros 'Untitled #1' video, nothing this year beat the poignant look back at Johnny Cash's life and infamy that was the 'Hurt' video. That was the sort of piece that could only exist and have the impact it did because of the length and depth of Cash's career. It seems impossible to think that there are any artists working now that will accomplish so much over such a long period of time again to warrant a similar tribute. - Matthew Jeanes]
lifetime achievement award
Wire
[comment: Bravery, integrity, absolute courage and energy, and more ideas and concepts than 15 rock bands have in their lucid wet dreams. - Rob Devlin
Seeing them in NYC this year, the vibrant boys and girls in the mosh pit right up front were probably not even wiping their own ass when Wire split up a SECOND time. This says a lot about Wire's power and the power of incredible music that's not made by pretty young people who are marketed to youth weaned from Barney and Power Rangers and mall rock. - Jon Whitney
Wire is still managing to be relevant and influentual, making strides in their sound and execution and proving that great bands never die. A wonderful precendent that has inspired other brilliant bands like Mission of Burma to give it another go. From then to now, a solid body of work. - Michael Patrick Brady
Who's Wire? - Gary Suarez]
tv show
STAFF PICK: The Daily Show
[comment: Wanda finds a turd in the back seat. It doesn't get much better than that. - Jon Whitney]
DVD release
STAFF PICK: The Work of Director Chris Cunningham
[comment: Am I the only one who is sick of trying to be convinced by Factory that Happy Mondays are anything but complete and utter shite? - Jon Whitney]
fave website (non-brainwashed)
(brainwashed can't win -every- year now....)
STAFF PICK: homestarrunner.com
[comment: I'm suprised Friendster didn't rank in the most annoying trend - Michael Patrick Brady]
most annoying trend
STAFF PICK: SUVs
[comment: It's refreshing to see the readers' hearts are in the right places. - Jessica Tibbits]
"
samples:
ATTENTION BLUNT SMOKERS AND BASS AFICIONADOS: Put down that spliff and take notice! Larvae has come to warp your minds and clutter your eardrums with some low-frequency sonics. Clocking in at an understated 46 minutes, Fashion Victim, the project's debut album, provides a somewhat noisy take on the bong-worthy dark urban sound (formerly known as illbient) produced by acts like Scorn, DJ Spooky, and Witchman. Taking equal parts Scott Herren and Mick Harris, "Refuse" opens this album with stuttering samples, bold bass tones, and head-nodding drum loops.
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Lo-fi guitar feedback, monotone lyrical chatter, and bland instrumental (amateur at best) cycles do not make for a good record. As best as I can tell, Doreen Kirchner and Wayne Garcia really want to be as hip as they can be; instead they end up sounding like a couple of confused kids with nothing to sing about and no melody to drive their music forward. I don't need a melody to be interested in the music, but AM 11 doesn't have anything going for it otherwise.
The art of the sound collage and drone music has a group of key members. Mirror, Christoph Heemann, Andrew Chalk, William Basinski, and perhaps just a few more are known and loved and create music that invokes images from other worlds; be those images frightening, sublime, or esoteric, it is impossible to deny their visceral impact. Andrew Liles has been added to that list of elusive and wonderful musicians with this release.