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Cinematic Orchestra, "New Horizon"
Ninja Tune
The title track of this three-song EP makes for an awesome continuation of the crisp, groove-driven compositions of 2002's Every Day,which incorporated a full live band rather than relying as heavily onsampled rhythm sections and re-mixing as previous releases. The upbeatand lyrically positive Horizon features the soulful singing ofNiara Scarlett (who also co-wrote the tune) backed by the group'sdriving, latin-jazz inspired rhythm section. Voiced mainly by a Rhodespiano, the band's grooves shift comfortably and dig deep throughoutdifferent sections of the tune. "Oregon" features the duo of bandleader J. Swinscoe and saxophonist Tom Chant for a composition whichoriginates as a sombre, repetitive chord progression from the keyboardthat builds into multiple layers of soprano sax, bass clarinet andwhirring electronic effects. Closing out the EP, and taking up theentire second side if you get the vinyl, is the six-and-a-half minutePatrick Carpenter (aka PC/Mr. P) re-mix, "Evolution II," which uses theoutstanding Fontella Bass vocal track from "Evolution" as its center.Opening with some spacious string swells and drones, the tune kicksinto a burning, jazzy groove to back the vocals and eventually draw ina slightly distorted sub-bass line to fill it all out. Carpenter'skeyboards and re-mixing have the vocals sounding even better in thiscontext than in the notable original. This EP is well worth hearing,even for this track alone.
The title track of this three-song EP makes for an awesome continuation of the crisp, groove-driven compositions of 2002's Every Day,which incorporated a full live band rather than relying as heavily onsampled rhythm sections and re-mixing as previous releases. The upbeatand lyrically positive Horizon features the soulful singing ofNiara Scarlett (who also co-wrote the tune) backed by the group'sdriving, latin-jazz inspired rhythm section. Voiced mainly by a Rhodespiano, the band's grooves shift comfortably and dig deep throughoutdifferent sections of the tune. "Oregon" features the duo of bandleader J. Swinscoe and saxophonist Tom Chant for a composition whichoriginates as a sombre, repetitive chord progression from the keyboardthat builds into multiple layers of soprano sax, bass clarinet andwhirring electronic effects. Closing out the EP, and taking up theentire second side if you get the vinyl, is the six-and-a-half minutePatrick Carpenter (aka PC/Mr. P) re-mix, "Evolution II," which uses theoutstanding Fontella Bass vocal track from "Evolution" as its center.Opening with some spacious string swells and drones, the tune kicksinto a burning, jazzy groove to back the vocals and eventually draw ina slightly distorted sub-bass line to fill it all out. Carpenter'skeyboards and re-mixing have the vocals sounding even better in thiscontext than in the notable original. This EP is well worth hearing,even for this track alone.
