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Drekka, "Take Care to Fall"
BlueSanct
Drekka has been releasing music since 1995, though not in the traditional fashion, it seems. Songs were released on cassettes, CD-Rs, or the odd 7", and in such limited numbers of copies that it must have been nearly impossible to hear any of them. So now BlueSanct releases Drekka's debut full-length, which contains some new tracks as well as some previously released in limited engagements. Michael Anderson, for all intents and purposes, is Drekka, with occasional guests. Anderson creates "home-fi" music: atmospheric music on four-track recorder with very little substance and yet a lot of weight. Songs are very minimalist, with just a simple guitar or vocal. Sometimes there are no instruments at all, just low voices or clicks. Anderson seems to be possessed by the demons of low quality production for a reason, though: these songs are much more successful because of the limitations of the recording. Every song has its own precious idiosyncrasies, from the movie playing the background of 'An End of Silence (Night Dancing)' to the misplayed guitar part on 'Untitled Filmshoot'. Fourteen tracks in forty-seven minutes makes it a quick listen to, with real disparity in the track lengths (a four second thirteenth track leads into the eight-and-a-half minute album closer). Spooky music to be sure, with strange sounds to raise the hairs on your neck. Will it stand the test of time, though?
Drekka has been releasing music since 1995, though not in the traditional fashion, it seems. Songs were released on cassettes, CD-Rs, or the odd 7", and in such limited numbers of copies that it must have been nearly impossible to hear any of them. So now BlueSanct releases Drekka's debut full-length, which contains some new tracks as well as some previously released in limited engagements. Michael Anderson, for all intents and purposes, is Drekka, with occasional guests. Anderson creates "home-fi" music: atmospheric music on four-track recorder with very little substance and yet a lot of weight. Songs are very minimalist, with just a simple guitar or vocal. Sometimes there are no instruments at all, just low voices or clicks. Anderson seems to be possessed by the demons of low quality production for a reason, though: these songs are much more successful because of the limitations of the recording. Every song has its own precious idiosyncrasies, from the movie playing the background of 'An End of Silence (Night Dancing)' to the misplayed guitar part on 'Untitled Filmshoot'. Fourteen tracks in forty-seven minutes makes it a quick listen to, with real disparity in the track lengths (a four second thirteenth track leads into the eight-and-a-half minute album closer). Spooky music to be sure, with strange sounds to raise the hairs on your neck. Will it stand the test of time, though?
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