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Over the past few years bass maven Jah Wobble has collaborated with anumber of varied artists including his own Deep Space ensemble, MolamLao members, a brief stint in post-rock outfit the Damage Manual andhere virtuoso saxophonist Evan Parker. "Passage to Hades" consists offour 9 to 14 minute tracks combining trademark Wobble band hypnoticworld-dub groove with Parker's circular breathing, free jazz abstractsoundscaping. The title track settles into a smooth, lumbering bassline and sticks with it as Parker gently drones in tenor and Deep Spacemembers Clive Bell and Jean-Pierre Rasle add flirtations of Thai pi sawflute, harmonica and bagpipes. "Giving Up the Ghost" varies the tempomore by fading Wobble and drummer Mark Sanders out a few times and backin at a different pace. Parker flutters and squawks in soprano, takingon a shimmering quality as notes are swallowed up and fed back throughthe mix. "Full On" features the most aggressive bass workout but Bell'sstereo goathorns are a bit too overbearing thus, unfortunately,dominating the track. And on "Finally Cracked It", Sanders lays down amildly funky rock rhythm for Wobble's rigorous bass line to lock into.Parker is in exceptional form here layering tenor drones and darting inand out with pretty reverberated riffs. Altogether, "Passage to Hades"is another successful collaboration for Wobble with predictable butbeautiful results. It seems that most anything and everything workswell with Wobble's low end led liaisons. Jah Wobble and Deep Space willtour major U.S. cities in May