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JEFF PARKER, "LIKE-COPING"
Delmark
For the first release under his own name, guitarist Jeff Parker(Tortoise/Isotope 217) presents a disc of fairly straight-ahead jazzcompositions in a trio setting featuring longtime associates and fellowChicago Undergrounders Chris Lopes on upright bass and Chad Taylor ondrums. Although Parker's playing is the main focal point with thisformat, the group's well-crafted compositions and support convey anhonesty of a collective recording that just happens to feature theguitar, moreso than a soloist with a backing group. A few free-jazzfreakouts are also included for good measure. Taylor's heartfeltcomposition, "Miriam," opens the disc as a brushed waltz of warm chordchanges that briefly sneak into double time throughout subtle guitarsoloing. The disc's uptempo title track, penned by Lopes, features somecool vamping sections at the chorus' turnaround that solidify thestructure and give a strong reference point during each player's solo.Named for his daughter, Parker's "Days Fly By (with Ruby)" moves froman oom-pah styled unison guitar and bass intro over Taylor's busy brushsoloing to finger snapping swing for some tasteful playing on anoverall great composition. The only hint of structure on thefree-spirited "Omega Sci Fi" are the blasts of walking bass lines thatplay against bombastic drums, splintered cymbals and scraping guitarfor four minutes of busy instrumental dialogue that chases down thenext line to be stated. Fans of Parker's work that have come to expecta certain style of playing and tone with his above mentioned maingroups, along with other projects such as Toe 2000 and Tricolor shouldbe pleasantly surprised with this album. A more traditional style ofwriting and playing that hadn't been as evident before shinesthroughout the recording and shows the vast talent of a great player.
For the first release under his own name, guitarist Jeff Parker(Tortoise/Isotope 217) presents a disc of fairly straight-ahead jazzcompositions in a trio setting featuring longtime associates and fellowChicago Undergrounders Chris Lopes on upright bass and Chad Taylor ondrums. Although Parker's playing is the main focal point with thisformat, the group's well-crafted compositions and support convey anhonesty of a collective recording that just happens to feature theguitar, moreso than a soloist with a backing group. A few free-jazzfreakouts are also included for good measure. Taylor's heartfeltcomposition, "Miriam," opens the disc as a brushed waltz of warm chordchanges that briefly sneak into double time throughout subtle guitarsoloing. The disc's uptempo title track, penned by Lopes, features somecool vamping sections at the chorus' turnaround that solidify thestructure and give a strong reference point during each player's solo.Named for his daughter, Parker's "Days Fly By (with Ruby)" moves froman oom-pah styled unison guitar and bass intro over Taylor's busy brushsoloing to finger snapping swing for some tasteful playing on anoverall great composition. The only hint of structure on thefree-spirited "Omega Sci Fi" are the blasts of walking bass lines thatplay against bombastic drums, splintered cymbals and scraping guitarfor four minutes of busy instrumental dialogue that chases down thenext line to be stated. Fans of Parker's work that have come to expecta certain style of playing and tone with his above mentioned maingroups, along with other projects such as Toe 2000 and Tricolor shouldbe pleasantly surprised with this album. A more traditional style ofwriting and playing that hadn't been as evident before shinesthroughout the recording and shows the vast talent of a great player.
