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King Crimson, "Ladies of the Road"
DGM
It was probably around 1979 when I first heard the KC's "Earthbound," alive album featuring the 1971-2 incarnation of the band. That editionof KC was a good band. The rhythm section was relentless, monsterousand unforgiving, Fripp's chops had got to the point that he could holdhis own and then there was the horn blower Mel Collins Ð like ahyper-caffineated hybrid of Coltraine and Hendrix, he had the strength,creativity and stamina to step out as sax front man for this alreadyhigly dynamic band. So I'm delighted to have a new double CD of livematerial from that band's European and US tours. "Earthbound" isspecial for me in large measure because of the solos on 21st CentuarySchizoid Man. Collins' and Fripp just rip it up on that cut Ð it isunspeakably exciting. Listening to it, I often wind up doing a full-onair-sax solo in the middle of my living room. Now here's the reallygreat part: CD 2 of "Ladies of the Road" is a medly of 21stCSM solos!It opens with the song's melody but after that it's a dozen or so editsof blazing guitar and sax solos with varied sound quality, crudelyspliced together. That's a whole unrelenting hour of air-guitar andair-sax action for the energetic listener Ð quite a work-out! So,depending on your take of the 21stCSM on Earthbound, this CD will beeither a godsend or tortuous. But back to CD1, it has basically eightcuts including Pictures of a City, Formentera, Sailors Tale, Groon,Bearings and a complete 21stCSM, all of wich have good sound qualityand really good solos. Boz Burrell isn't history's greatest singer buthis contribution is somehow enchantingly dated and English (as was hissucessor John Wetton, strangely enough). Extravagant extemporisation isso much to the fore here that it almost has that jazz aspect of thetunes only being there to lead into and out of the solos. Fripp hasoften said that while KC's studio albums from 69 through 74 may beworthy in their own way, they do not at all reflect what the band waslike live. Given evidence such as this I can only agree. While thestudio albums were composed and disciplined the live bands were wildand furious, borderline out of control at times. The 4 CD set "Epitah"demonstrated the difference for the 69 band, then the "Nightwatch"double CD did so for the 73-4 band, a better document than USA, and now"Ladies of the Road" completes the task for the 71-2 band, similarlyeclipsing "Earthbound." DGM's KC Collectors' Club has released a greatdeal of live material from the 69-74 period, some of which is reallyonly for the devoted fan, but, like "Epitah" and "Nightwatch," "Ladiesof the Road" is an essential item for anyone who likes KC.
It was probably around 1979 when I first heard the KC's "Earthbound," alive album featuring the 1971-2 incarnation of the band. That editionof KC was a good band. The rhythm section was relentless, monsterousand unforgiving, Fripp's chops had got to the point that he could holdhis own and then there was the horn blower Mel Collins Ð like ahyper-caffineated hybrid of Coltraine and Hendrix, he had the strength,creativity and stamina to step out as sax front man for this alreadyhigly dynamic band. So I'm delighted to have a new double CD of livematerial from that band's European and US tours. "Earthbound" isspecial for me in large measure because of the solos on 21st CentuarySchizoid Man. Collins' and Fripp just rip it up on that cut Ð it isunspeakably exciting. Listening to it, I often wind up doing a full-onair-sax solo in the middle of my living room. Now here's the reallygreat part: CD 2 of "Ladies of the Road" is a medly of 21stCSM solos!It opens with the song's melody but after that it's a dozen or so editsof blazing guitar and sax solos with varied sound quality, crudelyspliced together. That's a whole unrelenting hour of air-guitar andair-sax action for the energetic listener Ð quite a work-out! So,depending on your take of the 21stCSM on Earthbound, this CD will beeither a godsend or tortuous. But back to CD1, it has basically eightcuts including Pictures of a City, Formentera, Sailors Tale, Groon,Bearings and a complete 21stCSM, all of wich have good sound qualityand really good solos. Boz Burrell isn't history's greatest singer buthis contribution is somehow enchantingly dated and English (as was hissucessor John Wetton, strangely enough). Extravagant extemporisation isso much to the fore here that it almost has that jazz aspect of thetunes only being there to lead into and out of the solos. Fripp hasoften said that while KC's studio albums from 69 through 74 may beworthy in their own way, they do not at all reflect what the band waslike live. Given evidence such as this I can only agree. While thestudio albums were composed and disciplined the live bands were wildand furious, borderline out of control at times. The 4 CD set "Epitah"demonstrated the difference for the 69 band, then the "Nightwatch"double CD did so for the 73-4 band, a better document than USA, and now"Ladies of the Road" completes the task for the 71-2 band, similarlyeclipsing "Earthbound." DGM's KC Collectors' Club has released a greatdeal of live material from the 69-74 period, some of which is reallyonly for the devoted fan, but, like "Epitah" and "Nightwatch," "Ladiesof the Road" is an essential item for anyone who likes KC.
