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Laurent Garnier, "30"
Mute
For the most part, full-length techno albums suffer from two fatalflaws. They either sound like a slapped-together 12" singles collectionor they shed harsh light on the weaknesses of the producer outside oftheir 4/4 forte. Reissued this year, 30,Garnier's 1997 artist album, dodges both bullets with a balancedassortment of dancefloor killers and bedroom groovers. This statementshould come as no surprise to fans of his F Communications label, whichboasts countless releases from this former Hacienda DJ along with otheracclaimed dance acts such as Llorca, Mr. Oizo, and Jori Hulkkonen. Thestorming yet funky "Flashback" recalls acid house-era Psychic TV withits dominating bassline and repetitive echoey vocals. "Sweet Mellow D"has a certain Detroit charm, indulging in nearly four minutes of TB-303bass and syrupy pads before the kick pattern emerges, only to drop inand out on Garnier's whim. On "The Hoe" Garnier lets a little humorinto the mix, a quality that is uncharacteristic of most technoproducers. What makes this album worthwhile is the inclusion of theclassic "Crispy Bacon," an acidic warehouse stomper that both technoenthusiasts and DJ newbies alike should have in their crates. As Mutecontinues to reissue albums from industrial and experimental pioneers,I find it refreshing to see the same treatment being given to techno.
For the most part, full-length techno albums suffer from two fatalflaws. They either sound like a slapped-together 12" singles collectionor they shed harsh light on the weaknesses of the producer outside oftheir 4/4 forte. Reissued this year, 30,Garnier's 1997 artist album, dodges both bullets with a balancedassortment of dancefloor killers and bedroom groovers. This statementshould come as no surprise to fans of his F Communications label, whichboasts countless releases from this former Hacienda DJ along with otheracclaimed dance acts such as Llorca, Mr. Oizo, and Jori Hulkkonen. Thestorming yet funky "Flashback" recalls acid house-era Psychic TV withits dominating bassline and repetitive echoey vocals. "Sweet Mellow D"has a certain Detroit charm, indulging in nearly four minutes of TB-303bass and syrupy pads before the kick pattern emerges, only to drop inand out on Garnier's whim. On "The Hoe" Garnier lets a little humorinto the mix, a quality that is uncharacteristic of most technoproducers. What makes this album worthwhile is the inclusion of theclassic "Crispy Bacon," an acidic warehouse stomper that both technoenthusiasts and DJ newbies alike should have in their crates. As Mutecontinues to reissue albums from industrial and experimental pioneers,I find it refreshing to see the same treatment being given to techno.
