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Listener, "Whispermoon"
Mush
Every single song on Whispermoonis moody, dark, soulful, and reminds me of an old, sparsely populatedbar in the middle of a desert somewhere around dusk. Live drums,upright bass, bluesy vocal samples, and a smattering of scratching andcoarse atmospheres bounce about the entire album weaving catchymelodies and smooth grooves. "Train Song" features a ringing acousticguitar, a beautiful female vocal part that summons the blues, and anirresistible beat fed by both live drums and thick digital bass drops."Decadence," on the other hand, is a beat-heavy and more vocallydexterous track, fed by the energy of a bass guitar and Manchild'sraps. Thematically, the topics of many of the songs are a bit grandioseand this is where Listener's weakness is exposed. "You're SoUnderground" attempts to critique the I'm-a-player attitude so popularin rap but ends up falling short in the rhyme-department. Listener'swriting isn't entirely bad, but it's certainly not as strong as itcould be. I find myself agreeing with a lot of what the guy has to say,but I often feel as if it could be said with more command. That's notto say that every rap Listener makes is dull. The aforementioned "TrainSong" is a gorgeous narrative the likes of which I've never heard inhip-hop. It's just that some of themes (such as drug use, love, media,and religion) are laid so bare as to be a bit cheesey; many of thelyrics simply come off as too calculated and his vocal style begins tosound repetitive as the album moves along. Musically this album iscolorful, inescapably catchy, and varied; there's not a dull moment tobe found. Perhaps with some reflection and a bit more disciplineListener will become a lyrical force to be reckoned with, as well.
Every single song on Whispermoonis moody, dark, soulful, and reminds me of an old, sparsely populatedbar in the middle of a desert somewhere around dusk. Live drums,upright bass, bluesy vocal samples, and a smattering of scratching andcoarse atmospheres bounce about the entire album weaving catchymelodies and smooth grooves. "Train Song" features a ringing acousticguitar, a beautiful female vocal part that summons the blues, and anirresistible beat fed by both live drums and thick digital bass drops."Decadence," on the other hand, is a beat-heavy and more vocallydexterous track, fed by the energy of a bass guitar and Manchild'sraps. Thematically, the topics of many of the songs are a bit grandioseand this is where Listener's weakness is exposed. "You're SoUnderground" attempts to critique the I'm-a-player attitude so popularin rap but ends up falling short in the rhyme-department. Listener'swriting isn't entirely bad, but it's certainly not as strong as itcould be. I find myself agreeing with a lot of what the guy has to say,but I often feel as if it could be said with more command. That's notto say that every rap Listener makes is dull. The aforementioned "TrainSong" is a gorgeous narrative the likes of which I've never heard inhip-hop. It's just that some of themes (such as drug use, love, media,and religion) are laid so bare as to be a bit cheesey; many of thelyrics simply come off as too calculated and his vocal style begins tosound repetitive as the album moves along. Musically this album iscolorful, inescapably catchy, and varied; there's not a dull moment tobe found. Perhaps with some reflection and a bit more disciplineListener will become a lyrical force to be reckoned with, as well.samples:
