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LUSTMORD, "METAVOID"
For many years now I've gone without a Lustmord disc in my collectiondespite many people trying to convince me I should have some. Whatlittle I've heard of Brian Williams' 20 years to date project failed toimpress me and now that I have this disc in my possession, well, I'mstill unimpressed. The 64 minutes of "Metavoid" rely heavily upon thesound design skills Williams has put to use for dozens of films thepast 7 years, including "The Crow" and "Strange Days". Dark ambientcurrents and growls, padded with strings and angelic voices, areinterrupted by effected voices and often clumsy tribal/industrialpercussion and sound effects. Drab, clich? and predictable with equallydrab, clich? and predictable track titles. I feel as though I'mpartaking in some sort of pagan funeral dirge. Yuck. It's simply tryingtoo hard to be dark with little subtlety, always the key to superioratmospheric music as far as I'm concerned. That said, there are a fewredeeming qualities such as the climactic build of the nearly 12 minute"The Eliminating Angel" and the pure ambiance of "Oblivion". Butoverall, I think these sounds would be better relegated to cinematicbackdrop .
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