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mitchell akiyama, "hope that lines don't cross"
Newcomer Mitchell Akiyama is the first release of Alien8's newsub-label, Substractif. On this, his first 'proper' album release, theMontreal-based Akiyama has assembled a library of field recordings, andprovided a complimentary score, at times with sampled, rhytmically andtonally restructured manipulations of the recordings. It's an excercisein a laptop-driven ambient dub soup, and at times the sounds have beenso far removed from their original state, that the toil in the processis almost entirely unnoticable. Don't take that the wrong way, however,it's a wonderful disc which has certainly grown on me incredibly. Thereisn't a piece of work on this album that doesn't take a fair amount oftime to evolve, however, so patience is essential to a listening.Akiyama is another case for my argument that greatness in electronicmusic can come from a understanding of organic music and composition,in that he allegedly comes from a jazz background. 'Hope' could easilybe like what a Pole album would sound like if Stefan Betke changed someof the stinking preset sounds for every track. It plays mind tricks ontracks like "Concentrate On One Leg" when the established beat breaksup at random places while a hypnotising throbbing tone never backsdown. Its unobtrusive beats, lengthy delays and a keen sense ofcomposition combine to make for a charming listen late at night withthe lights off and windows open while a cool breeze passes through onoccasion.
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