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nymphomatriarch
Hymen
The much anticipated synthesized sexual symphony of Hecate's RachaelKozak and Venetian Snares' Aaron Funk is quite clinical in its finalstate. Created entirely from sounds of the two's sexcapades in variousplaces on their tour, the music is more appealing in the creationconcept. What's left at the end are the thumps of bed posts as bassdrum kicks, loads of high-pitched rhythmic sounds and only a tinysplash of bedroom banter. The second cut (or first non-filler song ifyou discount the Intro) "Blood on the Rope" gives a lot of hope withsome heavy breathing and some skin slapping sounds towards thebeginning, but it shortly gives way to moderately unchallengingmechanic dark drum 'n bass. The two deserve credit for assembling 35minutes of music which rarely resemble the original sources, butthere's something to be said for a stronger incorporation of untouchedrecordings back in to the mix once things have become unrecognizable.After being in love with the previous two brilliant EPs from VenetianSnares on Hymen, the Nymphomatriarch is musically a let-down as itdoesn't even seem as provocative or daring as either nor as the hypewould make it seem. Fans of clean drum 'n bass sounds might feelslightly different, however, and with about 12 minutes of underwaterambience smack-dab in the middle, those who can only read about sexmight find a charge. The closest this extended single comes to orgasmicis in the second to last track (or last non-filler track) "Pervs,"where more skin slapping could be taking place, but it's so far removedfrom recognition that it could easily be just another clever computerplugin. Perhaps I'm too much of a sick pervert, myself, but I think Iwas truly jonesing for a more voyeuristic and unlubricated experience,one where the sound could conjure the smells of the breath and fluidsof everybody involved.
The much anticipated synthesized sexual symphony of Hecate's RachaelKozak and Venetian Snares' Aaron Funk is quite clinical in its finalstate. Created entirely from sounds of the two's sexcapades in variousplaces on their tour, the music is more appealing in the creationconcept. What's left at the end are the thumps of bed posts as bassdrum kicks, loads of high-pitched rhythmic sounds and only a tinysplash of bedroom banter. The second cut (or first non-filler song ifyou discount the Intro) "Blood on the Rope" gives a lot of hope withsome heavy breathing and some skin slapping sounds towards thebeginning, but it shortly gives way to moderately unchallengingmechanic dark drum 'n bass. The two deserve credit for assembling 35minutes of music which rarely resemble the original sources, butthere's something to be said for a stronger incorporation of untouchedrecordings back in to the mix once things have become unrecognizable.After being in love with the previous two brilliant EPs from VenetianSnares on Hymen, the Nymphomatriarch is musically a let-down as itdoesn't even seem as provocative or daring as either nor as the hypewould make it seem. Fans of clean drum 'n bass sounds might feelslightly different, however, and with about 12 minutes of underwaterambience smack-dab in the middle, those who can only read about sexmight find a charge. The closest this extended single comes to orgasmicis in the second to last track (or last non-filler track) "Pervs,"where more skin slapping could be taking place, but it's so far removedfrom recognition that it could easily be just another clever computerplugin. Perhaps I'm too much of a sick pervert, myself, but I think Iwas truly jonesing for a more voyeuristic and unlubricated experience,one where the sound could conjure the smells of the breath and fluidsof everybody involved.
