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"Kompilation"

Kranky
Over twenty-one tracks, eighteen artists, and one hundred andforty-eight minutes of music, Kranky of Chicago, IL demonstrates why itis one of the most excellent record labels in existence. Stars of theLid, Keith Fullerton Whitman, Greg Davis, Loscil, Clear Horizon,Jessica Bailiff, Out Hud, Fontanelle, Pan·American, and many othersshow off their varied talents on this two-disc compilation, someproviding exclusive tracks, a couple previewing upcoming material, andeveryone making it clear just how beautiful their music is. Pricedincredibly cheap, Kompilationmakes it possible to get a taste of many of the new artists on thelabel without shelling out big bucks and it provides a chance to hearmaterial from the next Stars of the Lid and Keith Fullerton Whitmanalbum. Listening to both discs makes Kranky's diversity obvious.Christina Carter and her acoustic guitar work immediately follows thebuzzing and busy work of Autistic Daughters only to be followed by GregDavis' exclusive mix of "Campestral," which sounds nothinglike whatcomes before it. So much music is exhibited on this release that it'shard to know where to start; each track has its own essence, eachreflects a different direction in modern music, and each is fun tolisten to. More than one or two tracks reminded me of how much I loveda band and a few have forced me to put yet another record on my "tobuy" list. Each track being so different from the last might causeconcern for continuity; it is, of course, always nice when a recordflows smoothly. The Kompilation keeps everything moving quitenicely and despite the various changes in mood, structure, andpresentation, the very last song sounds as though it is part ofsomething bigger (even though no artist has two songs right next toeachother). Even though I have quite a few of the record that areshowcased on this compilation, I'm still very glad I have it and for acouple of reasons. Beyond the exclusive tracks and the previews of newmaterial, the Kompilation is just plain fun to listen to. Afterlistening to the second disc, I broke out my Out Hud and JessicaBailiff records to satiate the hunger the compilation had put in me.Listening to "Schnee" sandwiched between Pan·American's "InsideElevation" and Clear Horizon's "For Days" was a treat and made me thinkthat maybe Kranky should be a little more incestuous. Whitman, Bailiff,David Pearce, and Mark Nelson all on one record would be so good thatit might give reason to suspect that the apocalypse is coming. In anycase, the Kompilation is a good chance to hear new music and bereminded of how excellent the more familar music is. In fact, there'sabsolutely no reason not to own this double-disc collection of songs:it is cheap, it is full of some of the best music being made in theworld right now, and it's evidence of the fact that record labels andmusicians everywhere have a lot to live up to. Kranky and the musicianson the label are setting standards that many will have difficultyreaching, much less surpassing.

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