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Rjd2, "The Horror EP"
Definitive Jux
DJ/Producer Rjd2's 2002 debut album, Dead Ringer,showed his talents for hip-hop beats and instrumental soundscapes tomake catchy, danceable, yet intelligent music. Captializing on thesuccess of the album, Def Jux has released this 2-CD EP of remixes andnew tracks, with the second disc featuring multimedia content. Theremix CD is a tricky issue these days. It used to be the bastion ofalternate mixes and guest appearances, where these days it's usuallyjust filler to tide fans over until the next record. Because of thatfear, I can see why someone would be pressed to spend eighteen bucks onthis, and it seems Rjd2 himself agrees, calling it "not even an album"in the thanks section of the liner notes. True fans will find somethings interesting here, particularly the live DJ sets from the BetaLounge and the Bowery Ballroom, and the animated video for the titletrack. As for the music section, this is really what a remix EP shouldbe like, as the remixes are almost reinterpretations. The title trackmakes its appearance to start off, as is customary, and then the partyreally gets started. The "Ghostwriter Remix" is beat heavy andgroovier, with keyboards taking the lead. The real treat is in themiddle with a new guitar line and the same horns and vocal refrainmaking it a great club track or fine driving music. The "Final FrontierRemix" features some nice rhyme skills from multiple MCs with new beatsand samples from Rjd2, though the repeated "We're HERE!" gets old thesecond time it's heard, just like the original. The new tracks of "BusStop Bitties," and "Sell the World" are real treats, as they're justtwo great tracks with top-notch beats and great grooves that are moreDavid Holmes than Rjd2. The instrumentals are just filler, sure, butthey're great to drive down the street to impress, or to throw in yourown ingredients if you're a DJ yourself. All in all, this is not a badvalue with all things considered, and the packaging is really cool. -
DJ/Producer Rjd2's 2002 debut album, Dead Ringer,showed his talents for hip-hop beats and instrumental soundscapes tomake catchy, danceable, yet intelligent music. Captializing on thesuccess of the album, Def Jux has released this 2-CD EP of remixes andnew tracks, with the second disc featuring multimedia content. Theremix CD is a tricky issue these days. It used to be the bastion ofalternate mixes and guest appearances, where these days it's usuallyjust filler to tide fans over until the next record. Because of thatfear, I can see why someone would be pressed to spend eighteen bucks onthis, and it seems Rjd2 himself agrees, calling it "not even an album"in the thanks section of the liner notes. True fans will find somethings interesting here, particularly the live DJ sets from the BetaLounge and the Bowery Ballroom, and the animated video for the titletrack. As for the music section, this is really what a remix EP shouldbe like, as the remixes are almost reinterpretations. The title trackmakes its appearance to start off, as is customary, and then the partyreally gets started. The "Ghostwriter Remix" is beat heavy andgroovier, with keyboards taking the lead. The real treat is in themiddle with a new guitar line and the same horns and vocal refrainmaking it a great club track or fine driving music. The "Final FrontierRemix" features some nice rhyme skills from multiple MCs with new beatsand samples from Rjd2, though the repeated "We're HERE!" gets old thesecond time it's heard, just like the original. The new tracks of "BusStop Bitties," and "Sell the World" are real treats, as they're justtwo great tracks with top-notch beats and great grooves that are moreDavid Holmes than Rjd2. The instrumentals are just filler, sure, butthey're great to drive down the street to impress, or to throw in yourown ingredients if you're a DJ yourself. All in all, this is not a badvalue with all things considered, and the packaging is really cool. -
