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SMYGLYSSNA, "WE CAN FIX IT"
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Smyglyssna is Henrik Johansson, a Swedish electronic musician who isdesperately hoping that the music-buying public will be able todistinguish the music on his new album We Can Fix Itfrom that of his numerous European contemporaries. Perhaps I don'tpossess an ear properly tuned towards these subtle distinctions, but itseems that Johansson has produced an album that is more or less wearingthe IDM uniform: a postmodern combination of beats lifted from the past20 years of electronic music, processed and edited within an inch ofits life with the kind of surgical precision only possible with anexpensive new Powerbook. The nine tracks add up to something slightlybetter than average, but slightly less than great. "Might-It-Be's andIf-It-Were's" opens with some creepy alien sound washes, before Mr.Johansson introduces his limited sound palette, which involves CarlCraig-style Detroit electro with all booty-shaking potential carefullyremoved and replaced with a dry, academic contempt for accessibility.It bears more than a passing resemblance to earlier IDM such as BlackDog Productions, with its shifting patterns and cubist beatconstruction. It all comes together nicely, and even achieves somegenuinely funky moments, but I can't help feeling that this kind ofthing was a bit more compelling five years ago. For its entiresix-minute length, "Work Shall Be Abolished" threatens to turn into afull-on electro-funk song, but Johansson is too restrained to engage inanything that might be construed as fun. "Triangular Ears" is probablythe best track on the album, as it is the one time Johansson fullyabsorbs the listener in his infectious beat construction, with funny,eclectic sounds that are reminiscent of Mouse on Mars. The ugly loomingspectre of Boards of Canada haunts most modern electronic artists, andmany seem afraid to venture out of their shadow. Smyglyssna is noexception, with his obvious BoC pastiche "Foaming Prairie," a pastoralkeyboard melody matched with hazy distortions. The R&B flavored"Tea With Angela" finishes the album on a slightly messy note. Ibelieve there is hope for Smyglyssna, if he can somehow manage toremove his head from the collective ass of the European IDMcommunity and make something that sounds a little less like everythingelse.
Smyglyssna is Henrik Johansson, a Swedish electronic musician who isdesperately hoping that the music-buying public will be able todistinguish the music on his new album We Can Fix Itfrom that of his numerous European contemporaries. Perhaps I don'tpossess an ear properly tuned towards these subtle distinctions, but itseems that Johansson has produced an album that is more or less wearingthe IDM uniform: a postmodern combination of beats lifted from the past20 years of electronic music, processed and edited within an inch ofits life with the kind of surgical precision only possible with anexpensive new Powerbook. The nine tracks add up to something slightlybetter than average, but slightly less than great. "Might-It-Be's andIf-It-Were's" opens with some creepy alien sound washes, before Mr.Johansson introduces his limited sound palette, which involves CarlCraig-style Detroit electro with all booty-shaking potential carefullyremoved and replaced with a dry, academic contempt for accessibility.It bears more than a passing resemblance to earlier IDM such as BlackDog Productions, with its shifting patterns and cubist beatconstruction. It all comes together nicely, and even achieves somegenuinely funky moments, but I can't help feeling that this kind ofthing was a bit more compelling five years ago. For its entiresix-minute length, "Work Shall Be Abolished" threatens to turn into afull-on electro-funk song, but Johansson is too restrained to engage inanything that might be construed as fun. "Triangular Ears" is probablythe best track on the album, as it is the one time Johansson fullyabsorbs the listener in his infectious beat construction, with funny,eclectic sounds that are reminiscent of Mouse on Mars. The ugly loomingspectre of Boards of Canada haunts most modern electronic artists, andmany seem afraid to venture out of their shadow. Smyglyssna is noexception, with his obvious BoC pastiche "Foaming Prairie," a pastoralkeyboard melody matched with hazy distortions. The R&B flavored"Tea With Angela" finishes the album on a slightly messy note. Ibelieve there is hope for Smyglyssna, if he can somehow manage toremove his head from the collective ass of the European IDMcommunity and make something that sounds a little less like everythingelse.samples:
