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The Album Leaf, "In a Safe Place"
Sub Pop
Instrumental music is often the realm of expression that succeeds wherewords fail. The use of purely instrumental music, when usedintelligently and passionately, can convey body language, emotions, andintensity in a more direct way than words could. This music bypassesthe prejudices, associations, and limitations of language, skipping theanalytical brain entirely and instead appealing to the heart, lookingto provoke a physical reaction that will reproduce the experience forthe listener. This is why instrumental music is so adept (and sofrequently used) to capture the feelings produced by vast geographiesand scenery. It succeeds where complex explorations of soil samples andgeological studies on comparative ecosystems would be woefullyunhelpful. Recorded at the Mosfellsbaer studio in Iceland at the inviteof Sigur R?s and M?m, In a Safe Placeseems to bear the starry eyed wonder of a first time visitor to alandscape radically different from any previous experiences. Theopening track, "Window," unfolds with the bright, melodic sounds of anorgan, keening in a deeply reverential manner, implying endless wonderthe sights that are filling this new environment. The album is a mix ofcomfortable rock with crisp, electronic additions that cannot help butbe evocative of a kind of pastoral peacefulness. "Another Day" churnsand rolls with synthesized percussion along infinitely deep chimes ofthe organ, which sustain for a moment before dissipating like warmbreath giving way to chilly air. There is a crystalline starkness tothe song, however it comes off neither distant nor aloof, but as apleasant journey when the song begins its crescendo and strings swellbehind it, giving added weight to the delicate arrangement. Immediatelyfollowing is "Streamside," rooted in a dexterous turn with the acousticguitar and the accordion, the track brings the ethereal strains of"Another Day" back to earth, and elemental solace, like a warming fire.The Album Leaf (which is entirely the work of Jimmy LaValle) along withguest vocalists Jon Thor Birgisson (Sigur R?s) and Pall Jenkins (BlackHeart Procession), occasionally segues into songs with vocals in aneffort to make the journey more palatable, perhaps. These songs, whilegood, are lacking the undistilled emotion pronounced in theinstrumentals. The possible exception being the coda to "Moss MountainTown," which features a chorus of singers in the distance, a wonderfuladdition and fitting ending to the album. In a Safe Place is adelightful postcard from an exotic land, a love letter and aninvitation, that is at times affecting and inspiring without fallinginto bashful clich?s.
Instrumental music is often the realm of expression that succeeds wherewords fail. The use of purely instrumental music, when usedintelligently and passionately, can convey body language, emotions, andintensity in a more direct way than words could. This music bypassesthe prejudices, associations, and limitations of language, skipping theanalytical brain entirely and instead appealing to the heart, lookingto provoke a physical reaction that will reproduce the experience forthe listener. This is why instrumental music is so adept (and sofrequently used) to capture the feelings produced by vast geographiesand scenery. It succeeds where complex explorations of soil samples andgeological studies on comparative ecosystems would be woefullyunhelpful. Recorded at the Mosfellsbaer studio in Iceland at the inviteof Sigur R?s and M?m, In a Safe Placeseems to bear the starry eyed wonder of a first time visitor to alandscape radically different from any previous experiences. Theopening track, "Window," unfolds with the bright, melodic sounds of anorgan, keening in a deeply reverential manner, implying endless wonderthe sights that are filling this new environment. The album is a mix ofcomfortable rock with crisp, electronic additions that cannot help butbe evocative of a kind of pastoral peacefulness. "Another Day" churnsand rolls with synthesized percussion along infinitely deep chimes ofthe organ, which sustain for a moment before dissipating like warmbreath giving way to chilly air. There is a crystalline starkness tothe song, however it comes off neither distant nor aloof, but as apleasant journey when the song begins its crescendo and strings swellbehind it, giving added weight to the delicate arrangement. Immediatelyfollowing is "Streamside," rooted in a dexterous turn with the acousticguitar and the accordion, the track brings the ethereal strains of"Another Day" back to earth, and elemental solace, like a warming fire.The Album Leaf (which is entirely the work of Jimmy LaValle) along withguest vocalists Jon Thor Birgisson (Sigur R?s) and Pall Jenkins (BlackHeart Procession), occasionally segues into songs with vocals in aneffort to make the journey more palatable, perhaps. These songs, whilegood, are lacking the undistilled emotion pronounced in theinstrumentals. The possible exception being the coda to "Moss MountainTown," which features a chorus of singers in the distance, a wonderfuladdition and fitting ending to the album. In a Safe Place is adelightful postcard from an exotic land, a love letter and aninvitation, that is at times affecting and inspiring without fallinginto bashful clich?s.
