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the phenomenological boys, "melody, melody, melody, & more melody"
Tomlab
Even if I didn't know the truth, I would seriously think that thisdebut album is the result of somebody who clearly listens to a LOT ofmusic and is a big fan of numerous styles of unique recordings. Fromthe opening "Intro," the stage is set by a collage of various differentstyles cut and pasted together. With a fierce drum solo, the albumlaunches into full gear with the catchy "He's So Dumb," paying homageto laid back funk with a sexy bass riff, ample percussion and cleverlyrics. After the interlude, "Everything's a Shade of Green," is thealbum's finger-snapping 1950's doo-wop tribute, but after this point,the styles become less clearly distinguishable. Songs like the vocal(but lyric-less) "Visit to Venus," and the endearing "Will There BeYodeling in Heaven" are possibly two of the most optimistic songs I'veheard in a long while, and with what sounds like toy xylophones,Hawaiian guitar, nose holding and a parade of sound effects samples,the music appropriately backs up the lyrical optimism. "The InventedPart of the World" is oddly remeniscent of very, very early LPDcassette-only recordings, "What Do You Take Me For" could easily be anundiscovered gem, as a future outtake of one of thoseadult-contemporary songs from the 1970s piped through the loudspeakersat drug stores, and songs like "Let's Get Rid of Richard," and "TheAnti-Beard Song (Go Go Goatee)" push the humor card a bit too far formy tastes, but I'm sure can easily become mega indie radio hits. "ILike What You Like," however, is so irresistably sweet, moms all overthe world should take a hint. Perhaps if mothers sang their children tosleep at night, there might be less bitterness in the world. There ishope. This album is evidence.
Even if I didn't know the truth, I would seriously think that thisdebut album is the result of somebody who clearly listens to a LOT ofmusic and is a big fan of numerous styles of unique recordings. Fromthe opening "Intro," the stage is set by a collage of various differentstyles cut and pasted together. With a fierce drum solo, the albumlaunches into full gear with the catchy "He's So Dumb," paying homageto laid back funk with a sexy bass riff, ample percussion and cleverlyrics. After the interlude, "Everything's a Shade of Green," is thealbum's finger-snapping 1950's doo-wop tribute, but after this point,the styles become less clearly distinguishable. Songs like the vocal(but lyric-less) "Visit to Venus," and the endearing "Will There BeYodeling in Heaven" are possibly two of the most optimistic songs I'veheard in a long while, and with what sounds like toy xylophones,Hawaiian guitar, nose holding and a parade of sound effects samples,the music appropriately backs up the lyrical optimism. "The InventedPart of the World" is oddly remeniscent of very, very early LPDcassette-only recordings, "What Do You Take Me For" could easily be anundiscovered gem, as a future outtake of one of thoseadult-contemporary songs from the 1970s piped through the loudspeakersat drug stores, and songs like "Let's Get Rid of Richard," and "TheAnti-Beard Song (Go Go Goatee)" push the humor card a bit too far formy tastes, but I'm sure can easily become mega indie radio hits. "ILike What You Like," however, is so irresistably sweet, moms all overthe world should take a hint. Perhaps if mothers sang their children tosleep at night, there might be less bitterness in the world. There ishope. This album is evidence.
