 |
|
the postal service, "give up"
Sub Pop
It's hard to talk about this album without referring back to thephenomenal track from 2001, "(This is the Dream of) Evan and Chan" byDntel, as that was the first collaboration between Death Cab forCutie's singer Ben Gibbard and Jimmy Tamborello, the one-man powerhousebehind Dntel. This was possibly one of my favorite songs from one of myfavorite albums of 2001, where chaos and mayhem was tied together by afrail, unobtrusive voice, quietly singing an almost nonsensical cartoonstory. Naturally, this type of collaboration, which yielded results noless than monumental, opened the opportunity for future works betweenthe two entities with potentially similar results. The end result,however, this disc, has got to be one of the weakest pieces ofelectronic dribble since Anything Box. I swear, I've heard numerousrougher, tougher, more ballsy recordings from other electronic maleduos like the Pet Shop Boys, Soft Cell, and Electronic. Even Erasuresounds like a mannish testosterone-fuelled rockhouse compared to ThePostal Service! Whereas Tamborello's music as Dntel was clearly notwritten for the sole purpose of being the backdrop of vocals, it wasnot dependent on a singer, the music could have clearly stood alone.The disjunct rhythms, distorted sounds and unpredictable melodies whichcommanded attention are all completely gone and forgotten, as the musichere sounds like a half-assed attempt to make lame pop ditties. Themelodies are dull and unchallenging, whipped together with presetkeyboard sounds and only a minimal amount of thought put intoarrangement. Gibbard's vocals certainly don't help much, as by thethird track I'm feeling nauseous. The addition of female vocals seemsboth pointless and generic as girls (ironically each named Jennifer)don't usually take the opportunity to harmonize, but simply sing thesame notes as Gibbard, only an octave higher. The album's titlecouldn't be more appropriate, as the two could have easily madesomething incredible, but in the end, decided to simply give up.
It's hard to talk about this album without referring back to thephenomenal track from 2001, "(This is the Dream of) Evan and Chan" byDntel, as that was the first collaboration between Death Cab forCutie's singer Ben Gibbard and Jimmy Tamborello, the one-man powerhousebehind Dntel. This was possibly one of my favorite songs from one of myfavorite albums of 2001, where chaos and mayhem was tied together by afrail, unobtrusive voice, quietly singing an almost nonsensical cartoonstory. Naturally, this type of collaboration, which yielded results noless than monumental, opened the opportunity for future works betweenthe two entities with potentially similar results. The end result,however, this disc, has got to be one of the weakest pieces ofelectronic dribble since Anything Box. I swear, I've heard numerousrougher, tougher, more ballsy recordings from other electronic maleduos like the Pet Shop Boys, Soft Cell, and Electronic. Even Erasuresounds like a mannish testosterone-fuelled rockhouse compared to ThePostal Service! Whereas Tamborello's music as Dntel was clearly notwritten for the sole purpose of being the backdrop of vocals, it wasnot dependent on a singer, the music could have clearly stood alone.The disjunct rhythms, distorted sounds and unpredictable melodies whichcommanded attention are all completely gone and forgotten, as the musichere sounds like a half-assed attempt to make lame pop ditties. Themelodies are dull and unchallenging, whipped together with presetkeyboard sounds and only a minimal amount of thought put intoarrangement. Gibbard's vocals certainly don't help much, as by thethird track I'm feeling nauseous. The addition of female vocals seemsboth pointless and generic as girls (ironically each named Jennifer)don't usually take the opportunity to harmonize, but simply sing thesame notes as Gibbard, only an octave higher. The album's titlecouldn't be more appropriate, as the two could have easily madesomething incredible, but in the end, decided to simply give up.
