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(the real) tuesday weld, "Where psyche meets cupid"
This is not an album by the 60's "it" girl but is the debut full-lengthrelease from crafty Londoner Stephen Coates. His brand of audiopastiche includes a combination of polished beats, Coates' own whisperyvocals a'la Momus, and an array of melodies sampled from 1920s and 30srecordings that will unfailingly give you the urge to get up from yourchair and do the Charleston. Tracks like, "Am I In Love?," and theirrisistably catchy, "L'amour et la Morte," are both funny andcharmingly eerie — something on par with being pitched into the absurdvaudevillian silliness of an episode of The Muppet Show. AlthoughCoates seems perfectly at ease with this silliness, the twoinstrumental tracks, "At the House of the Clerkenwell Kid," and, "CloseYour Eyes When You Read This," which show the more serious side ofTuesday, are some of the standout pieces, seeming to draw heavily onfilm noir score. The overall cinematic quality of Coates' work is hardnot appreciate, even on a first listen. For the most part, however, hissense of humor and wit prevail, especially evident in the song title"Terminally Ambivalent Over You," but never lapses into an undesirablechildishness.
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