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Torrez, "The Evening Drag"
Kimchee
When you see a song title like "Trebling/Freezing," you have a prettygood idea of what kind of a listening experience you're in for. 'TheEvening Drag' is a sullen exercise that doesn't reach for much more.The album begins with "The Girls Will Haunt You," starting off strongas Kim Torrez debuts her plaintive voice amidst the band's simple, yetdeep-sounding arrangement. It's a strong hook, and yet frustratingly,the track begins to fade out unresolved, without expanding ordeveloping on its initial expression. A majority of 'The Evening Drag'mines the same territory, competent songs of quiet despair that rarelydisplay any flair or personality to set it apart from any other song onthe album. At times, it seems they tried to compensate by addingspecial effects, but more often than not, they feel out of place ordownright goofy. By the time you reach "A New Despair," an inexplicableinstrumental track that has you waiting for something, anything tohappen and then again fades out, the album's formula has begun to wearout its welcome. Torrez is capable of showing some dynamics, whichmakes the sameness of the middle of the album so disheartening. On"After the Carnival," they create an atmosphere that's positivelyblissful, as Kim croons "spin me around / spin me, make me dizzy." Theemotion is conveyed excellently, a warm memory replayed the next daythat still manages to make you smile. The final two tracks, "The Flame"and "All on Fire" also deviate from the standard sorrowful drone, thelatter beginning as a lullaby with dreamy vocals that make you glad youdidn't hit stop. 'The Evening Drag' is uneven, but with a few brightspots that make it hard to count this band out.
When you see a song title like "Trebling/Freezing," you have a prettygood idea of what kind of a listening experience you're in for. 'TheEvening Drag' is a sullen exercise that doesn't reach for much more.The album begins with "The Girls Will Haunt You," starting off strongas Kim Torrez debuts her plaintive voice amidst the band's simple, yetdeep-sounding arrangement. It's a strong hook, and yet frustratingly,the track begins to fade out unresolved, without expanding ordeveloping on its initial expression. A majority of 'The Evening Drag'mines the same territory, competent songs of quiet despair that rarelydisplay any flair or personality to set it apart from any other song onthe album. At times, it seems they tried to compensate by addingspecial effects, but more often than not, they feel out of place ordownright goofy. By the time you reach "A New Despair," an inexplicableinstrumental track that has you waiting for something, anything tohappen and then again fades out, the album's formula has begun to wearout its welcome. Torrez is capable of showing some dynamics, whichmakes the sameness of the middle of the album so disheartening. On"After the Carnival," they create an atmosphere that's positivelyblissful, as Kim croons "spin me around / spin me, make me dizzy." Theemotion is conveyed excellently, a warm memory replayed the next daythat still manages to make you smile. The final two tracks, "The Flame"and "All on Fire" also deviate from the standard sorrowful drone, thelatter beginning as a lullaby with dreamy vocals that make you glad youdidn't hit stop. 'The Evening Drag' is uneven, but with a few brightspots that make it hard to count this band out.
