 |
|
TV On the Radio, "Young Liars"
Touch and Go
Recorded in a bedroom by three New York artist/musicians, "Young Liars"is the first release from TV On The Radio, and introduces them as afascinating experiment, with a sound that's original and memorable. Themusic groans and creaks beneath the vocals, churning almost, repletewith droning guitars and thudding drums. The percussion is at timesprovided by live drums, or accented with programmed beats, andallegedly sheets of tin. Collages of sampled loops materializemomentarily and then drift away. The most intriguing aspect of "YoungLiars" has to be the vocals, full bodied and soulful, they wouldn'tsound out of place being backed by a funky bass line and horn section,or at the head of some gospel choir like in their acapella rendering ofthe Pixies' "Mr. Grieves." On that hidden track, they sound like awayward choir group, giving the song a great workout that swings as ifit were instead an attack on "Take the A Train." "Satellite" kicks offthe EP with the introduction of this sound, a fuzzy thudding of staticwashed drums and bass with an incessant riff. Then the vocals kick inand it's so unlike the expected, "Now I'm waiting for a signal or asound, where can you be found now? Where can you be, waiting for asignal or a sound?" The song lopes along at a speedy pace, and thelyrics dribble over the beats along with it. "Staring at the Sun" is anabstract love song, a collection of images or glances from up close."Blind" is a slow, creeping track that pulses along as errant noisesappear just above it. The group has a knack for memorable lines thatconnect through their lyrical collections like "My love is a suckerbet." It's a departure from the speed of the first tracks, showing thatthey're capable of producing more methodical atmospheres, and againshowcasing those vocals as they play around in the space left by theinstrumentation. "Young Liars" is an excellent first taste that leavesus to anticipate the upcoming full length
Recorded in a bedroom by three New York artist/musicians, "Young Liars"is the first release from TV On The Radio, and introduces them as afascinating experiment, with a sound that's original and memorable. Themusic groans and creaks beneath the vocals, churning almost, repletewith droning guitars and thudding drums. The percussion is at timesprovided by live drums, or accented with programmed beats, andallegedly sheets of tin. Collages of sampled loops materializemomentarily and then drift away. The most intriguing aspect of "YoungLiars" has to be the vocals, full bodied and soulful, they wouldn'tsound out of place being backed by a funky bass line and horn section,or at the head of some gospel choir like in their acapella rendering ofthe Pixies' "Mr. Grieves." On that hidden track, they sound like awayward choir group, giving the song a great workout that swings as ifit were instead an attack on "Take the A Train." "Satellite" kicks offthe EP with the introduction of this sound, a fuzzy thudding of staticwashed drums and bass with an incessant riff. Then the vocals kick inand it's so unlike the expected, "Now I'm waiting for a signal or asound, where can you be found now? Where can you be, waiting for asignal or a sound?" The song lopes along at a speedy pace, and thelyrics dribble over the beats along with it. "Staring at the Sun" is anabstract love song, a collection of images or glances from up close."Blind" is a slow, creeping track that pulses along as errant noisesappear just above it. The group has a knack for memorable lines thatconnect through their lyrical collections like "My love is a suckerbet." It's a departure from the speed of the first tracks, showing thatthey're capable of producing more methodical atmospheres, and againshowcasing those vocals as they play around in the space left by theinstrumentation. "Young Liars" is an excellent first taste that leavesus to anticipate the upcoming full length
