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Ufomammut, "Oro: Opus Primum"
Few albums are as successful pulling off an album's worth of music wrapped into a single song as Sleep were in the '90s. Their sprawling weedian travelogue, Dopesmoker, set an impossibly high precedent for bands looking to follow the album-length song format. For Italy's Ufomammut, that precedent sounds more like a challenge to raise the bar, in which case, instead of just one... why not release two back-to-back albums in one year, together encompassing a single mammoth song 90 minutes in length?
Neurot (CD) / Supernatural Cat (LP)
If that sounds forbidding, fear not, because Oro: Opus Primum is actually a hell of a lot more welcoming, and immediately listenable, than Dopesmoker. As far as album-length songs go, it plays out more like the variety found on the doom-tinged sludge of Melvins' Lysol: in essence, it's intended to hypnotize and rock out in equal measure. Ufomammut play a brand of sludgy, immensely heavy doom metal spiked with psychedelia and cosmic overtones, and the variation within that hybrid sound gives them room to bounce between meditative riffs, oscillating drones, and blown-speakers RAWK! with ease. On Opus Primum, there are synth-driven moments that veer toward Pink Floydian spaciness, enough whooshy psychedelic noises to make Kawabata Makoto salivate, and distorted spoken-word samples that sound as if picked up from an alien radio station.
Opus Primum is split up into five parts on disc, and there are enough stylistic differences between the parts to keep things engaging. Opening piece "Empireum" is a slow-building intro stretching 14 minutes, the simple music-box melody at the start layered over with drums, psychedelic synth washes, and a thick, muscular, one-note riff that is as heavy as anything under the Sunn O))) [sic]. That key melody is reprised on "Magickon," which integrates more muscular drumming and bass playing to take the heaviness one step further. There is a distinctly psychedelic vibe running through the ambient parts of the album—not in the wistful, doe-eyed sense you'd hear on a Flaming Lips album, but like Al Cisneros' effort with Om to reach higher planes of consciousness. It's an effective contrast to the parts of Opus Primum that are notable for just how fucking ENORMOUS they manage to sound, like centerpiece "Infearnatural," which sounds like a black hole collapsing in on itself.
This is not Ufomammut's first time tackling a project of this proportion: the band has become progressively more ambitious with each release, and 2010's Eve—also a five-part, album-length song—hung together remarkably well. The most impressive aspects of Opus Primum, as compared to Eve, is the sense of patience, pacing, and eventual payoff. The rising tide at the start—the aforementioned "Empireum"—segues into the album's early peak, "Aureum," a monstrous 12-minute segment that doubles down on its tempo halfway through. Whereas most of the album leans toward a cosmic, mind-expanding slow-drip of riffage—like if Sunn O))) fashioned their obelisk drones into song structures—"Aureum" releases the tension built by "Empireum," going lighter on psychedelia and heavier on straight-up rock action. That sense of dynamics, with well-timed fluctuations in tempo, riffs, and tone, is key to Opus Primum's success as it steamrolls forward.
Bassist Urlo shed light on the decision to split Oro into two halves in a recent interview: "I've never liked albums that are too long. [...] As it's a very long song, we thought it was a good idea to split it in two parts, to give each one time to assimilate with the listener." Just like with Earth's Angels of Darkness, Demons of Light albums, the decision is a wise one: I have kept Opus Primum on repeat all spring, to the point I now catch myself humming key riffs at times without the album playing. At 18 minutes, it is easily digestible in one sitting. Each of the five parts functions as a "song" of its own, but there is a noticeable ebb and flow to the presentation and sequencing, so that Opus Primum makes perfect sense as a single, long-form song as well. That said, there is something undeniably awesome about bands that don't stop trying to top themselves in ambition with each release. Sleep did it, and then split up after recording Dopesmoker, their magnum opus. Ufomammut are at the height of their powers, and I'm curious to hear whether Opus Alter can push these ideas even further.
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