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Vert, "9 types of ambiguity"
With the latest offerings, Vert (and Mouse on Mars on their Soniglabel) have proven to be masters of their own kind. The disc opens with"Blindsight," where animated and robotic beats that envoke pure digitalcharm. Melodies and rhythms are moving, physically and blissfully. Fromthere, it gets into the quirky and raw - theremin-esque noises withreverb-soaked samples and voice clips, with a constant click & popfeel. Some of the third track, "Codfish Dada" has a scratchy-jazzyfeel, like typical Sonig-esque squishy squigly noises throughout butstill maintaining nice composition & form. Some of the sounds onthis album remind me of more of what was on their 12",Mooremooseicforme, which I thought were possibly from some of the samesampling/sessions that much of Mouse on Mars' recent stuff has beenfrom. Some tracks, "Somewhere Between Here and Last Week", for example,feature improvised antique organ sounds with dusty blip soundsthroughout. I picture funny little clown-men playing jazz music for amass in a dusty and crumbling old church. But then they break intosomething like a digital hardcore take on dub. Screeching synths andmorphing, building waves of noise ... some trip-hop atari music to justlie back and close your eyes. Then the strings kick in, and it's trulybeautiful, quirkiness or not. As the disc comes to close, a slow fuzzbuild-up turns to nice pensive piano turns into a sonic wall of organsthat force the listener's eyes to jet open after being harshly brokenfrom the moods that the music had previously set up. It fades out, andthe closer, "Scope/Lifetime", seems to tie in the whole of the album -remaining inconsistent within it's boundaries. Seriously, thequirkiness and diversity in this album are really something that fewothers know quite how to do.
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