All art, whether by design or by accident, contends with time. But music’s relationship to it, like cinema’s, is pronounced, as is evident in the case of Anjou. On their Kranky debut, ex-Labradford members Mark Nelson and Robert Donne join Haptic’s (and Innode’s and Pan•American’s) Steven Hess for eight melancholy preludes focused on form, color, light, and time. Their songs are short, no longer than nine minutes, and expressionistic, dotted with half-heard rhythms and implied melodies orbiting a tonal center. They issue into the room in suspended animation and hang there mysteriously, heavy like a storm cloud. In them, the passage of time ceases to mark minutes and seconds and instead denotes the availability of different perspectives. Sounds are typically thought of as moving through spaces, but in this case spaces move through sounds, guided in their course by a trio of directors with an impossible view from above.