I always love scavenging the internet for interesting end-of-year lists every December, as I invariably find a handful of great albums and films that I slept on like a fool. In fact, a lot of those belated finds wind up being among my favorites, as the albums I miss tend to be inspired and refreshing departures from the labels and scenes that I usually follow. This unusual debut album from LA's Ana Roxanne was one such find from last year, as it surfaced back in March and I probably dismissed it instantly as a vinyl reissue of some private press New Age obscurity (if I noticed it at all). Given both the look of the album and Roxanne's aesthetic, that is not a terribly outlandish conclusion to make, but a closer listen reveals that ~~~ is considerably more compelling and distinctive than it first appears. For example, Roxanne checks two boxes that have historically been strong indicators of a radical compositional approach: she both studied Hindustani singing in India and attended the fabled Mills College. As a result, Roxanne has an unusually sophisticated understanding of harmony and avant-garde compositional techniques for this stylistic milieu. Such a path would normally steer an artist towards an Eastern drone/La Monte Young vein, yet Roxanne deftly sidesteps anything resembling a predictable path, as ~~~ can best be described as what might result if a mermaid studied with Eliane Radigue: drone-based minimalism that evokes a soft-focus idyll of lapping waves and floating, angelic voices.