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I turned on to Bpitch Control around the Berlin 2001 compilation, which at thetime was the only available CD release besides its counterpart, Berlin 2000, the first label sampler. The things that first drew me to the label were its punker-collective ethos,reflected in the sleeve designs and the prideful futurism and homogeneity ofpresentation, and the glistening, urban mash-up of their aesthetic, injectingseams of industrial grit, glitchist abstraction, and flashy homage to passétechno and trance classics into the sleek German electro sound.
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