Mixing old with new both in technology and imagery, Montreal's Aun (Martin Dumais and Julie Leblanc) capture the audio aesthetic of time worn 1970s low budget sci fi film soundtracks via a malfunctioning TV, sometimes erring into abrasive territories, and other times coming across like lost four track Tangerine Dream demos rotting in an attic. Modern MIDI equipment clashes with unreliable analog technologies to produce a sound that is as retro sounding as it is innovative.
With titles like "Koenig," "Vulcan," and "Voyager," the imagery is pretty clear on Alpha Heaven, but the sound itself is not as cliché riddled as it could be at first glance.For all the titles, there is nary an overwrought synth bleep or ray gun sound effect to be had.Instead, the album is more subtle and musical in its approach.Some of the songs are definitely more rock oriented, like the overt guitar and clipped bass rhythms of "Koenig" and the dramatic thrust and percolating keyboards of "Alpha."  However, it all is enshrouded in a low fidelity haze that makes it feel like a garage rock band’s demo from the past, which adds a warmth to the experience rather than detracting from it.
Ambient, both traditional and of the darker variety, is spread throughout, and the moments that resonated most with me are the ones where drum programming appears, such as the heavily echoed beats of "Viva."  That, meshed with the sharp, processed guitar was like a throwback to the days of ambient dub, such as Deliverance/Colossus/Evanescence era Scorn.The same applies to "Voyager," with its dubby echoes and fragmented voices recalling a more immediate, engaging Bill Laswell track from the mid 1990s.
The echoing wash of vocals on "War is Near" and the aforementioned "Voyager" give those songs a distinctly different sound, with Leblanc's voice processed enough to sound like another instrument, but still retaining enough of its human quality to stand out.The former, despite its menacing title actually has one of the lighter vibes on the album.
There are a few moments that feel a bit more like filler in comparison, such as the sputtering, flanged tones of "Vulcan" and sparse moments of "Peacecalm" that simply do not stand out as unique amidst the other, more complicated compositions.Even the light, synth heavy "Floodland," which is also rather underdeveloped on its own, is fleshed out with some obvious guitar focused passages that help it come together well.
What Alpha Heaven boils down to is a multitude of great songs with a unifying feel to them, with a few pieces throughout that simply do not manage to engage quite as well.As a whole though, it does an admirable job of conjuring that mood: lazily watching B grade science fiction movies via a television with questionable reception:something I can remember occasionally doing myself as a child.It hits the right balance of low fidelity production, creative structures, and the warmth of times passed.
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