Main songwriter Julie Davis leads the group with her voice and upright bass, with support from Carrie Beeder's violin and cello and Brigid McAuliffe's accordion. The first few songs encapsulate the album's overall feel, with few changes thereafter. Most of the arrangements are a vague mix between jazz and gypsy folk with vocals sung in a somewhat blasé manner. While the majority of the tracks are originals, they also cover "Summertime" and "Old Man River" and use the poetry of T.S. Eliot and Emily Dickinson for lyrics on "Prelude 2" and "Some Things That Fly There Be" respectively. All are more or less effective in asserting the group’s aesthetic on the material.
The album benefits greatly from the pristine recording quality. Although the electronics are apparent, they blend so well in the mix that there isn't an obvious audio difference between them and the acoustic instruments, which is not always an easy feat to pull off. The voices are uniformly strong, and there are obvious distinctions between the other instruments. Everything is well balanced for clarity, yet the minimal instrumentation never sounds bare or sparse.
My only complaint is that so many of the tracks sound alike. I would have preferred more variation of the tempos, arrangements, and vocal delivery because some of the songs start blending together by the time the album finishes. Still, the group does a great job of establishing and maintaining a mood all their own.
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