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Anxiety and apprehension are made sound incarnate within the firstquarter of this record and holy ground is consecrated and threatenedthereafter. A narrative runs through the thick, pulsing heart of thesesounds; beginning with shimmering, metallic rolls of lightning andhighligthed by the mysterious calls of nocturnal birds, Behind Your Very Eyesannounces itself as a heavy and imposing experience. The opening"Cryptozoology" has the blood of fear running through it; theatmosphere is thick with the tension of unseen voyeurs and rapacioushunters whispering secrets under forested moonlight. Such a heavy andconsuming beginning might seem imposing, but Colin Potter and PaulBradley make the mystery too intriguing to be ignored. It would beimpossible to turn tail and run. "Decline" medicates and softens thebreath of impending disaster with its organ-like tones and unearthlyshakings. There is a bright light at the center of its being and iteminates the presence of safety and familiarity; it's as if the nightof the first sounds has been transformed into the romantic and alluringnight of summer winds and cricket's voices. But the narrative of themusic is not simple and elegant transformation: "Cavity" invokes theaura of a total void, staring down into the abyss, and being frightenedthat nothing looks back. No semblance of human life is found in thecascading mass and it's low-end humming simply shakes my body to anumbness that removes the physical world to a purely mental state. Thebeauty of Potter and Bradley's work is that it removes easy reference;sounds become pure and without linguistic characteristic and there isalways an environment shaped out of silence. By the time "Flattered ToDeceive" expels its suspended ghost, the music has made a full circle.The electronic whines and textural brushes of sound reverberate backinto the mystery of the unknown and demand another journey; thenear-deceptive warmth of these sounds is Behind Your Very Eyes'greatest asset. Though alien and without translatable elements, itexpands and welcomes the mind to a consideration of the esoteric.
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Colin Potter & Paul Bradley, "Behind Your Very Eyes"
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