Concept albums in general are a bit troublesome. Like "Music from and inspired by the motion picture," they are sometimes not at all relatable to the subject at hand, and often they get overshadowed by some lofty sense of purpose that ultimately falls flat. When I saw the roster on Seasons, I was willing to ignore the fact that the compilation was a concept album just to hear new work from these bands. So, I must say I was pleasantly surprised to find that the music does, in fact, have a fine correlation with the concept, making this the best theme-based compilation I have ever heard.Ochre

Each artist was asked to compose music that, to them, represented the four seasons. Most took this at its literal meaning, composing four tracks for the four seasons, but a couple, namely Stylus and 90° South, chose a different way, combining different elements to represent more than one season and the change between them. Altogether a fascinating listening experience, the album features emotional reactions of the artists to the states of the year that are sometimes not what you'd expect. In The Land of Nod's tracks, the traditional perception is challenged on "Summer-house": a drone with frog/cat noises that almost sounds like someone being trapped in a warehouse all summer, baking in the heat — not exactly the prettiest image. It's a nice switch of roles, though, with the more traditional interpretations on their other tracks making for lovely chiming guitars and the deafening worry of the winter track, "Light Fades Fast." Longstone's electronic elements are a sharp contrast upon their entrance, and their tracks fade together and contain similar elements, allowing for a nice shift between them to represent the overlap from summer to fall to winter. It's a nice take on the theme, even though some of the sound effects and pitch bends towards the end grate on the nerves. Lakescene, aka The Land of Nod's Ant Walker, keeps the electronics going, with beeps and static washes breaking for crickets and guitar. His tracks were my favorites, making the most of different elements while painting the most lifelike pictures of the seasons. 90° South manufactured one track that shifts with common elements, as well, and with the guitar and keys being joined by thick percussion and swirling noise, it's a fantastic ride, even though the track pushes the fourteen-minute mark. Stylus makes typically odd compositions that expound on odd beginnings, like tribal drums and chanting with bubble noises. His tracks are most "out there," and therefore I was thankful for his inclusion, as he brings a bit of the left field to the proceedings. All in all, though, I was impressed by all contributors, and hope to see more compilations that can truly flesh out a theme with such success. 

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