Originally issued on the Flingco Sound System label in 2010, this Virginian trio's full-length album is on CD for the first time, complete with two previously unreleased bonus songs. Homegoing is a powerful, yet light suite of electronic pieces that proves that intensity does not have to be oppressive or forceful.
Most of the songs consist of indistinct electronics that do not resemble any specific sort of instrumentation, but insteadblend together perfectly."Streaming Wisdom" is a light, drifting work of reverberated tones that float around like a cloud in the clearest blue sky. It is only on "Yoke" that the moderately processed tones of a cello can be heard, fragmented and cascading outwards.
The title song initially begins the same, with light-infused tones and textures that glisten about until a slow transition to a dourer, somber feel that is no less beautiful."Mirror" balances the dark and light as well, but throughout the song, mixing an almost overdriven, bassy undercurrent that lurks beneath the more buoyant layers.
This contrast is perhaps the most stark and dramatic on the nearly 11 minute "Dead Bird," which leads off with a single reverberating and echoing tone.Slowly that tone is stretched, paired with what sounds like a voice fragment and additional electronic elements.It builds to a rich, colorful pastiche of sounds and an almost rhythmic wind chime throb that slowly transitions to darker, bleaker realm in its conclusion.
The two additional pieces that are added to this digital issue are rather different in comparison, demonstrating a rougher, more dissonant version of the band."12:12" brings up harsh noise like squeals of sound, reverberated and put aside cheap synth pulses to create a weird hybrid of droning electronics and ugly electronic noise.A Pan•American remix of "Prieure" concludes the album, again taking a harsher route.Static heavy sputters shoot out over a power-line like hum, with feedback and static fading into focus here and there.It is not as dissonant as "12:12," but it definitely is more spiny and nasty than the main album.
There is a clear sense of power and strength throughout Homegoing, but it is muted, laconic to some extent.It is this self-imposed restraint that makes those moments where it shifts or changes shine through greatly, such as the harsher elements on the bonus tracks, or the move toward more somber territories on the title piece.Beautiful is a term that is dropped far too often when discussing music, but it is entirely appropriate here, with its soaring electronics and clear, forceful moments of tonal drift.
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