For the debut recording under the Innode moniker, Stefan Németh works closely with exceptional drummers Steven Hess and Bernhard Breuer on this conceptual album that intentionally juxtaposes human imposed rhythms (both programmed and played) with live and machine generated improvisations. The result is a compelling, synthetic heavy sound, that especially hits its stride on the B side that transitions from conceptual sound to engaging music.
The first half of this LP is front loaded heavily with the two part "Dedispersion I" and "Dedispersion II," and then followed up with a series of short, less impressive experiments.The "Dedispersion" pieces owe a notable debt to the glitch scene of the late '90s but with a fresh, updated sound that sounds much more compelling and unique.Bleeping sounds and white noise skittering beats come together to bear more than a passing resemblance to a skipping CD, which are slowly expanded upon with melodic synth passages and more fleshed out beats.The second segment emphasizes Breuer’s drumming more, sneaking a natural, human sound into an inorganic one that slowly becomes more and more fragmented as it goes on.
On the flip side, both "Gridshifter 05" and "FS Revisited" stand out as exceptionally powerful compositions.The former’s opening reverberated noise and simple mechanic throb is rather rudimentary, but when Hess’ cymbal heavy live percussion begins to weave in and out of the composition, it builds into a grandiose, dramatic outburst that is catchy in more than just a clever sort of way.Slowly throughout the six minutes the patterns shift and change rather strongly."FS Revisited" takes a similar approach; a bass throb leads off and then is cut up by razor sharp live percussion.The layers build and build, with complex rhythms and rich synths coming to a heavy, harsh crescendo that is just perfectly paced and extremely compelling.
The shorter pieces that surround these two, however, come across as less realized and, while not bad in any way, just are not as memorable."Cumbre Vieja" is the only one that approaches a full length song, and the twinkling synths and clicking imperfections that come together as a wall of harsh noise work in an experimental sense, but with the two major pieces that precede it, it just pales in comparison.The short "Rotor" fares rather well, even though its stripped down brittle metallic beats lack the same punch, it does take on a nice Neu! sound by the end.
If there is one thing I am definitely taking away from Gridshifter, it is that Németh is at his best when collaborating with a live percussionist.While his synth heavy programming and static beats work well, they simply do not stand out as much from similar artists working with cold, conceptual electronics.When meshed with the live drumming though, such as his work in Radian, the results are sublime and quite memorable when played at a nice, rib cage rattling level.
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