The US edition of Electric Eden was published on Tuesday 10 May (Faber via Farrar, Straus & Giroux). Revised, updated and corrected!


In this groundbreaking survey of more than a century of music making in the British Isles, Rob Young investigates how the idea of folk has been handed down and transformed by successive generations – song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators. In a sweeping panorama of Albion’s soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and  A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism.


A wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity, Electric Eden will be treasured by anyone interested in the tangled story of Britain’s folk music and Arcadian dreams.


‘Like its subject, this wonderful and informative book is full of surprises; a deep poetic sense runs alongside adroit analysis, absorbing narrative detail and lucid, singular overview. Young has charted a territory that is sodden with mystery and tunnelled under with ceaselessly interconnecting themes and ideas – it is as much a state of consciousness that his book describes, connecting sun-lit myths of ‘merrie England’ to a bewitchingly autumnal study of English music’s profound relationship with time and the land.’

Michael Bracewell


Electric Eden maps the secret aquifer beneath the flourishing landscape of British musical creativity over the last century: the country’s heathen heritage of folklore andfancy, ritual and magic, tall tales and stubborn superstitions. Roving from time immemorial to modern antiquarians like Julian Cope, via the pioneering folk song collectors of the early 20th Century, the psychedelic minstrels of the late 1960s, and 70s mavericks like John Martyn and Kate Bush, Rob Young has crafted a vivid and penetrating study of this old, weird Albion. Electric Eden is a stunning achievement.’ Simon Reynolds

 

 


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