23five
This compilation, released to accompany an SFMOMA exhibit, collectseleven tracks from Australian experimental musicians. There's anexcellent sense of unity, as most of the compositions are aestheticallysimilar, at least superficially, in their emphasis on sparse,laptop-driven presentations. Some rely on organic instruments andothers on homebuilt electronics, but all of them find creative soundsand work really well, making this album quite consistent.
Worth mentioning are the extremely lucid liner notes by PhilipSamartzis and Csaba Toth, which provide a reductionist breakdown ofimprovised and noise music; it sheds some light on the undercurrents,although nothing on the compilation fits clearly into their categories.
Jim Knox provides the most noise, in the form of three short pieceswhich range from an eerie metallic drone to a harsh, radio-influencednoise collage. Most tracks on this disc have some incredible sounds andtechniques. Delire's track is a flowing medley of intermittent sci-fisounds occasionally riding on an electro rhythm that keeps fallingapart; then things get a bit nostalgic as he incorporates someobfuscated videogame-type tones into the mix, along with some crunchyphased static.
My favorite piece is David Brown's "Were Holes Mended?", a duet ofprepared guitar and squeaking door. The guitar cliches are in effect:the high gain power chords, the pick slides, and the Derek Baileyimitations; but it flows seamlessly, as the creaking door morphs intostrange horn-like tones and the processed guitar provides a dazzlingarray of counterpoint sounds (in what could be all the Powerbookcliches). Robbie Avenaim's "Impulse Control Disorder" also takes theDSP improv route, mixing high tones, beeps and FM bells, and thewhistle of steam with the clatter of thin, trash-can percussion. It hasa great sense of progression. Philip Samartzis' piece, "Soft And Loud,"is an exercise in interruption; a train approaches and then somefractured music starts, only to suddenly disappear leaving only thewind. This general idea is repeated several times, using environmental,mechanical, and digital sounds to represent these two extremes. Ireally like the "soft" parts of the track; there are some beautifulfield recordings and gentle buzzing drones, but it's only fitting thatthese moments of peace are transitory. 'Variable Resistance' hasintroduced me to some innovative new artists, and like its relative'Ju-Jikan,' is definitely a worthwhile collection.
samples:
- Robbie Avenaim - Impulse Control Disorder
- David Brown - Were Holes Mended?
- Jim Knox - Fuck To Mandatory Detention
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