"Difficult" is a loaded word when used in electronic music reviews. In one context, it can be taken to mean the record is so far ahead of everything else out there that it needs numerous intense listening sessions to be understood and appreciated. On the other hand, it could simply mean that the record is an unfocussed, unlistenable and pretentious piece of crap. So when I tag these two new releases from Miami's Schematic label as being "difficult", which end of the spectrum am I referring to? Well, somewhere in between, but at least a little bit closer to the former than the latter.
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Given enough time Jah Wobble will, hopefully, collaborate with just about everyone. Over the past few years he has successfully mixed his trademark, bedrock bass guitar styling with Laotian folk ("Molam Dub"), inventive saxophone ("Passage to Hades") and all out industrial rock ("The Damage Manual"), among others. Here he teams up with Temple of Sound, the duo of Neil Sparkes and Count Dubulah, both formerly of Transglobal Underground.
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- Diane Ray - Please Don't Talk to the Lifeguard
- Bernadette Caroll - Party Girl
- Priscilla Parts - My Window
- Lori Burton - Love Was
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- Ich Und Ich (with Denyo 77)
- Bei Manni und Bine (with Andrewas Doreau & Justus Kohnke
- Losjez (with Thomas Fehlmann)
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