With vibrophone virtuoso Dylan Cristy and music enthusiast/drummer Adam Pierce at the production helm, this disc grooves more on a dub tip than anything else they've done‚Äîwithout compromising the intensity of the ever so prominent vibes.
With "Ampday", the now canyon-sized fissures that were once tiny cracks in Kiln's parched-earth facade show more than mud and stone. Where in the past, Kiln releases provided the smallest bit of info possible, with only artwork and titles to satisfy eager minds - now, no longer must we wonder about our once-faceless Gaian scientists, and what arcane incantations were used in the creation of such wonderful sounds. Messr's Marrison, Rehberg, and Hayes, still playfully obtuse (what sound did the "levitating catslide" make?), seamlessly blend their twisting, ethereal instrumental pop with soundscapes that imitate the sounds of spreading rust or moss.
This album celebrates EN's 20th year of operation with a marked improvement in production values. The focused and streamlined sound finds equal space for pulsing, naked bass guitar, trimmed-down sound effects, low-end percussion, and strings. Not least of all, the punchy production brings EN's often-personal lyrics and intense delivery to the forefront--to double-edged effect.
The world can never have too many bands who sound like they really love Spacemen 3. This Boston three piece is a band to keep an eye out for. A couple weeks ago I reviewed their set I caught, which caught me off-guard. The band have magically formulated a beautiful sound on recording in addition to the wonderful live set.